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Frog Lighting Consoles

...are included in group of fixtures to show. Comprehensive feedback is provided via two Monitors alone control of architectural type events. The Frog 2 can control up to 2048 channels of DMX. DMX connection is either through traditional 5 Pin XLR connectors or via EThernet. All Frog 2 offers multiple cue stack playback, comprehensive palette selections an onboard touch screen. It is also possible to display up to nine different sets of information simultaneously. It is possible to define specific user views to allow each user to have an operational environment best suited to facilities needed for future RDM used in cue stack as part of Frog 2 will appeal to users looking for ease of programming, comprehensive playback choices, live busking or st se controls can be loaded from 1000 faders that can be assigned to control anything from complete memory. Using macros most dem automatic programming ir needs. Storing shows single channel to hardware. To allow for effective control running of re are 2000 user definable buttons memory or from ing environments requiring lighting control

Zero 88 Lighting Consoles

Providing professional quality products at affordable prices is an ethic that has driven Zero 88 for 30 years. From the ground breaking Lightmaster 601 launched in 1972 to the latest products available today, Zero 88 offers outstanding value for money. dsn Research and Development A combination of experience and innovation ensure our products make the best use of the latest technology and materials. Up to the minute 3D modelling techniques, surface mount technology and innovative software design are used to drive down costs and make even complicated products affordable. Manufacture Our small batch, short lead time policy coupled with our commitment at all levels of the business to continually improve the manufacturing process, has resulted in Zero 88 being able to respond rapidly to demand for all mainstream product lines. A key success factor in the small batch strategy has been the development of strategic partnerships with a number of key suppliers. Zero 88's policy is to outsource the primary manufacturing processes such as metalwork, printed circuit boards, coils and transformers. By actively developing partner relationships with our suppliers, Zero 88 has been able to benefit from their years of experience in their specialities. These benefits help us deliver to you the highest quality manufacture product possible. Global Distribution Zero 88's warehouse facility provides distribution support for our agents around the world. Our streamlined logistics system enables us to process and dispatch most orders from our Welsh base with great efficiency. This has been critical in allowing us to service our extensive distributor network. Our export experience together with our global dealer network ensures we are able to service your needs anywhere in the world.

Hertz - A unit of measure for frequency generally applied to waveforms, one Hertz is equal to one cycle in one second. It is abbreviated Hz so that 100 Hz would be 100 cycles per second. However, the unit m. Used . ay be applied to periodic events other than waveforms like the second hand on a clock, which would cycle at 1 Hz, or a human heart that may beat at 1.2 Hz. Named after the German physicist H. Used . einrich Rudolf Hertz, the name was established in 1930, but did not replace the term cycles per second until the 1970s.

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A.J. - UK slang for Adjustable Spanner. Also know in the US as a Crescent Wrench or C-Wrench. . Used . . Used . ...

Subtractive Color - Subtractive color explains the theory of mixing paints, dyes, inks, and natural colorants to create colors which absorb some wavelengths of light and reflect others. The color that an object appears t. Used . o have is based on what parts of the electromagnetic spectrum are reflected by it, or conversely by what parts of the spectrum are not absorbed.

Anything that is not additive col. Used . or is subtractive color. No other color mixing systems are known, except the imperfect system resulting from mixing real pigments, something that is very confusing nowadays.

Color is not an absolu...

Backline - Backline is equipment that is located behind a live band while they are performing. Such examples of backline include amps for guitars and basses. It is the equipment that the band needs aside from . Used . the actual instruments that they are holding and using and the PA and FOH desks.

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Bulbs - A Bulb or light bulb is a source of artificial light. There are many different kinds of bulbs including High Intensity Discharge or HIDs, Halogen, Fluorescent and Light Emitting Diodes, but the most . Used . common is the incandescence that works by the release of electromagnetic radiation. . Used . ...

Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.