Buy Used ColorSpot 1200E AT by Robe

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ColorSpot 1200E AT Moving Lights

...ity super-efficient optical system, making the ColorSpot 1200 one of the brightest moving fixtures currently on the market.Major features include a versatile CMY colour mixing system, variable CTO plus an additional colour wheel, 12 rotating indexable, replaceable dichroic glass gobos on two wheels offering 48 gobo combinations, iris, 4 rotating prisms and effects, variable frost, an incredibly flexible 13 – 42 degree linear zoom, remote focus, dimmer and shutter.Its progressive colour temperature correction system – from 5600K to 3200K is designed for use in television and film applications.

Robe Moving Lights

Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105

Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

American National Standards Institute - . Used . . Used .

Scanner - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Advanced Control Network - A new protocol designed to improve upon on the exisiting known limitations of the DMX512 protocol. It was developed by the ESTA (The Entertainment Services and Technology Association).

T. Used . he Advanced Control Network (ACN) is intended to provide the next generation standard for the distribution of data in lighting control networks.
ACN needs to do much more than just supe. Used . rcede DMX. Ideally, ACN will unify lighting control networking, allowing a single network to carry many different kinds of lighting-related data and to connect equipment from different manufacturers. ACN is no

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.