Buy Used CEL 2a by Peavey

Contact a Sales Specialist about used CEL 2a for sale.

CEL 2a Compressors and Limiters

The CEL-2a Compressor/Expander/Limiter is designed for use in all live performance and Recording applications, and can be incorporated as either two independent compressors or one synched stereo compressor with true RMS summing. Voltage-controlled amplifier and RMS-integrated circuits maintain low distortion and excellent noise performance.

Peavey Compressors and Limiters

Peavey is one of the largest, most diversified, independently owned suppliers of musical instruments and professional sound equipment in the world. * 33 facilities on three continents (18 in Mississippi) * Peavey produces over 2,000 products * Peavey products are distributed in over 136 countries worldwide * Peavey holds 130 patents in musical instrument designs and audio technology World-renowned musicians from every musical genre use Peavey instruments and sound equipment, from rockers 3 Doors Down, and Nickelback to country stars Hank Williams Jr., Kenny Chesney and Tim McGraw. Peavey and its four additional brands—MediaMatrix®, Architectural Acoustics®, PVDJ™ and Crest Audio®—can be found behind major concert tours, in venues such as the Sydney Opera House, Hollywood Palace and New York’s Apollo Theater and in most theme parks.

Conventional - Conventional lighting is made up of stationary lights that can be moved, but only via manual means of adjusting, or focusing the fixture with a yoke. However, some aspects of the lights, like brightne. Used . ss and color may be controlled remotely
by consoles or analog audio inputs. There are many different conventional lights used in stage lighting design including floodlights, pars, foll. Used . owspots, ellipsoidals, fresnels, strips and cycs. ...

Prime Lens - A lens whose focal length is fixed. Prime lenses are not as versatile as zoom lenses, but are generally superior in optical quality. This is due to the simplisity of design with fewer moving parts th. Used . at can be optimized for one specific focal length. . Used . ...

Entire Stages - An entire stage is a complete stage that generally include platforms, stairs and sometimes roofing, ranging in size from small easy to transport stages to large staging systems.. Used . . Used . ...

Auxiliary Output - A seperate line level output from a sound console that is to be used for foldback or monitoring that does not use up another main output. Each in channel has a path to the Auxiliary bus. It is also . Used . useful to send a signal to a separate effects processor.
. Used . ...

Xenon Lamp - A type of discharge lamp with high output generally used in Strobe lights and flashes, though sometimes found in some followspots. These lamps utilize an internal electrical discharge passed between . Used . electrodes suspended in xenon gas. Xenon lamps have a color temperature of between 5600 - 6500°K and produce extremely intense, incoherent, full-spectrum white light usually for very short d. Used . urations. ...

Compressors and Limiters

Audio compressors and limiters are a kind of specialist hardware used to either amplify the volume of quiet sounds or reduce the volume of loud sounds, by simply compressing the “dynamic range” of an audio signal. Audio compression is commonly used during live concerts, broadcasts and studio recording. Audio compressors and limiters, sometimes called a dynamic compressor, can manipulate the volume of sound by alternating the rate of compression through two basic functions – attack and release controls, which are also able to smooth the final effect of the audio output. There are many different kinds of compressors and limiters available, including very basic models with just a few simple knobs for attacking and releasing, and more advanced models which provide greater versatility when it comes to attenuating audio signals. Audio technicians place an extremely high value on compressors and limiters. An audio limiter is essential for managing the level of audio signals during recording sessions. If the volume produced by a piano for example, is not managed, the recording equipment could easily be overloaded when the pianist plays louder, impacting on the quality of the final recording. Similarly, when the pianist plays at a lower volume, audio compressors and limiters are needed to boost the volume level so that the signal remains consistent throughout. In addition to managing signal levels, compressors and limiters can also be used to create special effects and add an extra dimension to recordings. Audio limiters are able to compress dynamic range audio signals into a much narrower range, hence why they are sometimes called a dynamic compressor. The results of such audio compression include attaining a higher source signal from low volume sound, smooth and consistent tones, an increase in some musical instruments sustain and the ability to enhance the “punch” of certain instruments, such as guitars, bass and drums.