Buy Used Melodie by Meyer Sound

Contact a Sales Specialist about used Melodie for sale.

Melodie Line Array Speakers

...elodie is compact enough for small theatres, ballrooms and clubs, as well as being an outstanding performer in theatrical productions and corporate AV applications.

While M'elodie can be used as a main system in small Venues, its broad 100-degree horizontal coverage makes it ideal for use in larger Venues, too, as it is designed to integrate seamlessly with MICA. M'elodie's QuickFly rigging, which features captive GuideALinks for the maximum in flexibility and safety, make it easy to add as downfill to a MICA array, but individual M'elodie cabinets also work exceptionally well for frontfill or under-balcony coverage. Best of all, M'elodie's small footprint takes up little truck space.

M'elodie is the latest self-powered loudspeaker from Meyer Sound, the company that introduced controller-assisted loudspeakers more than 27 years ago and self-powered sound reinforcement systems over 11 years ago. With an all-new low-frequency driver and amplifier, plus Meyer Sound's famous complex crossover, driver protection, and frequency and phase correction circuitry, M'elodie provides a reliable, low-distortion solution for a key segment of the sound reinforcement market.

M'elodie's diminutive size belies a powerful voice: conservatively rated at a maximum peak output of 131 dB SPL, M'elodie is capable of filling rooms much larger than one would expect.

Meyer Sound Line Array Speakers

Established by John and Helen Meyer in 1979, Meyer Sound has been at the forefront of innovation in audio engineering for over two decades. From the outset, Meyer Sound looked beyond loudspeaker cabinet design to create totally integrated, systems-comprehensive solutions that encompass transducer design, signal processing, power amplification and even electroacoustic measurement systems. As a result, Meyer Sound's engineering teams have earned an enviable reputation for developing unique, innovative solutions to some of the most difficult problems confronting audio professionals. In fact, it is fundamental to John Meyer's philosophy that no component of a system should be compromised in order to compensate for variables "upstream" or "downstream." Instead, the entire system should be conceived, designed, tested, confirmed and manufactured as a whole to provide the optimum blend of audio fidelity, utility and long-term reliability.

American National Standards Institute - . Used . . Used .

Lens - A lens is a device for either concentrating or diverging light, usually formed from a piece of shaped glass. Analogous devices used with other types of electromagnetic radiation are also called lense. Used . s: for instance, a microwave lens can be made from paraffin wax.

The earliest records of lenses date to Ancient Greece, with Aristophanes' play The Clouds (424 BC) mentioning a b. Used . urning-glass (a convex lens used to focus the sun's rays to produce fire). The writings of Pliny the Elder (23-79) also show that burning-glasses were known to the Roman Empire, and mentions what is possibly t

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Digital signal - A digital signal is a signal that is both discrete and quantized. Its primary counterpart is an analog signal. Digital signals usually occur in electronics, but may be found in other fields of enginee. Used . ring as well.

Digital signals may be divided into two categories:

* Some are inherently both discrete and quantized (ex. the number of people who visit a certain. Used . establishment every day).
* Some describe phenomena that are actually continuous in one way or another. The signal must be discretized, quantized, or both, in order to make it digital. This "digitiz...

Intensity - Measured in both lux and lumens. For any given luminaire (lighting instrument or fixture), this depends upon the power of the bulb, the design of the instrument (and its corresponding efficiency), the. Used . presence or absence of color gels or gobos, distance from the area to be lit, the color and subtance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to ot. Used . her regions of illumination). ...

Line Array Speakers

Line array speakers make up a loudspeaker system to create a sound source that produces an evenly distributed sound output. The driver of each line array element is close enough to the driver of the next element to create constructive interference. The resulting sound waves go farther than sound waves from traditional loudspeakers. Line array systems date back to the early days of research in acoustics. Many old town halls and public venues still have old line source boxes which were found to project voice well though they are much smaller than horn-loaded speakers. These days, line array speakers use different drivers for high-, mid- and low-frequency passbands that must be in line. Each enclosure must be set up closely to form columns composed of these drivers. To increase the frequency range and maximum sound pressure, the number of drivers per enclosure must be increased. The orientation of line array speakers may vary. Vertical arrays are excellent for focusing sound at audiences without wasting output energy on ceilings or empty air above the audience because of its very narrow vertical output with a normally-wide horizontal pattern. On the other hand, horizontal line arrays have a very narrow horizontal output with a tall vertical pattern. For hanging concert speakers which are usually part of a concert reinforcement system, enclosures are set up together using a specialized rigging hardware and they hang from a single point. These line array speakers are curved backward at the lower portion so that the sound will reach more audience.