Buy Used MAC 600 by Martin Professional

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MAC 600 Moving Lights

The MAC 600 is an automated yoke-mounted Fresnel washlight designed for a 575 watt source. It features a 3-wheel CMY color mixing system, a 4-position color wheel, full-range continuous dimming, separate shutter, combinable beam-shaping filters and frost. The MAC 600 E has an electronic ballast that provides flicker-free operation and an economic power-saving mode.

Martin Professional Moving Lights

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Multi Effects - Multi effects applies to any outboard audio effects hardware that is capable of processing the signal through more than one effect. In modern effects hardware multi effects are more common and usuall. Used . y include many different effects by which the audio can be processed.. Used . ...

Effects - Lighting Effects are devices that are generally used to enhance other lighting or staging devices, like foggers, lasers or pyrotechnics and can also have and effect on setting the mood during a perfor. Used . mance like color changers.

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Backline - Backline is equipment that is located behind a live band while they are performing. Such examples of backline include amps for guitars and basses. It is the equipment that the band needs aside from . Used . the actual instruments that they are holding and using and the PA and FOH desks.

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Cyc Light - Cyc lights, also known as strip lights are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length. Lamps are often. Used . covered with individual gels of multiple colors (somet . Used . ...

Dichroic - In optics, the term dichroic has two related but distinct meanings. A dichroic material is one which either causes light to be split up into distinct beams of different wavelengths (colours), or, one . Used . in which light rays having different polarizations are absorbed by different amounts.

The original meaning of dichroic (from the Greek dikhroos, two-coloured) refers to any optic. Used . al device which can split a beam of light into two beams with differing wavelengths. Such devices include mirrors and filters, usually treated with optical coatings, which are designed to reflect light over a ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.