Buy Used DN1248 Plus by Klark Teknik

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DN1248 Plus Mic Pre-Amp

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On the rear of the unit can be found output 4, plus duplicates of all the inputs and output 1, so the patching options are extremely flexible. The microphone preamplifier is a Midas Heritage series unit, specially adapted to the task and providing all the great sound and headroom for which Midas preamps are world famous.

Several factory options are available for DN1248 Plus: the 'DP' option, which provides (at very low cost) a second, linked internal PSU to provide auto-backup in the case of PSU failure.

The 'AT' option provides transformer balancing for all 48 outputs, and the 'FM' variant combines both 'DP' and 'AT' advantages. Plus, the whole unit is designed so that a customer can easily retrofit the multipin connector and input / output configuration of their choice.

Klark Teknik Mic Pre-Amp

In 1974, brothers Phil and Terry Clarke founded Klark Teknik Research Ltd. Their pioneering approach to design and development allowed them to introduce some truly groundbreaking designs. One of the world’s first digital delay and digital reverb units emanated from their laboratory, and their descendants remain in common usage all over the world to this day. However, it was their concepts for graphic EQ devices that really changed the world of professional audio resulting in the uniquely capable DN370 and the world famous DN360. Today Klark Teknik continues to bring innovation in design, engineering and sonic quality in both the analogue and digital realm of audio signal processing. With the introduction of Show Command, Klark Teknik have an integrated system of hardware, software and Ethernet technology providing full control of loudspeaker system equalisation, management and routing. Uniquely in its field, Klark Teknik also provides the customer with an opportunity to invest in leading-edge equipment with an extraordinary working lifespan and unrivalled retained value

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Mic Pre-Amp

The mic pre-amp (also known as the microphone preamplifier) is an essential sound engineering device that allows the microphone signal to be easily processed by other devices. Usually, the microphone signals are not strong enough to penetrate units like the mixing consoles and recording equipment. Thus, the microphone pre amp heightens the signal so it can reach the required signal strength by the devices. For instance, the dynamic microphone has an output voltage within the range of 0-100 (microvolt). This is too low so the microphone pre-amp heightens the level approximately 70 dB or 0-100 volts. The result is a stronger signal that creates better sound quality. The mic pre-amp supplies ample gain and at the same time, it prevents the noise generated that could possible distort the signal. It also serves as a transducer that generates a kind of coloration or effects to an audio mix. Normally, sound engineers would emphasize the effect of the mic pre-amp to the overall quality of the sound of the audio mix. The pre amplifier usually charges the microphone with low impedance and this makes the microphone to work double time, resulting in the modification of the tone quality. The audio mixers already have built in preamplifiers but the mic pre-amp adds extra effects to the audio mixer’s effects. There are some types of microphones such as the condenser microphones that need the mic pre-amp to function. There are also pre-amps that comprise the channel strip together with the recording equipment like equalizers, compressors, noise gates, etc.