Buy Used Studio Spot 575 by High End Systems

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Studio Spot 575 Moving Lights

Studio Color 575 provides the user with a full designer

High End Systems Moving Lights

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

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Adaptor - A connector allowing more than 2 electrical devices to be connected to a single power source. These connections are normally in parallel (each device is given the same voltage levels), but current is . Used . divided between them. Also known as a "Twofer".

3-way splitters are known as "Threefers".. Used . ...

AB - A stereo recording technique. Two microphones of the same make and model are located next to one another in , and point in the same direction. The left mic is panned hard left on the mixer. The right. Used . mic is panned hard right.

This technique has flaws, such as audio reflections from each mic which can cause comb filtering (narrow coverage). This can be somewhat corrected by s. Used . pacing the mics out, but this will not fully correct the problem and can lead to muddy sound from delay artifacts.

Discharge Lamp - A high powered light source produced by an arcing electrical discharge between two electrodes suspended in a glass tube filled with gas, usually high or low pressure sodium gas, xenon, mercury vapor, . Used . or metal halide. This type of illumination is limited to applications such as followspots and projection, where dimming is accomplished by mechanical instruments. Many newer generation mov. Used . ing lights use discharge lamps, dichroic filters and mechanical dimming shutters....

Advanced Control Network - A new protocol designed to improve upon on the exisiting known limitations of the DMX512 protocol. It was developed by the ESTA (The Entertainment Services and Technology Association).

T. Used . he Advanced Control Network (ACN) is intended to provide the next generation standard for the distribution of data in lighting control networks.
ACN needs to do much more than just supe. Used . rcede DMX. Ideally, ACN will unify lighting control networking, allowing a single network to carry many different kinds of lighting-related data and to connect equipment from different manufacturers. ACN is no

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.