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Stage Color Par Cans

...y helpful, it also saves time when changing
from one scene to the next.


Features
• USITT DMX-512
• DMX-512 (3-pin)
• R,G,B, Color Mixing Par Can
• Built in 3 Ch Dimmer
• Additive Color Mixing
• 0-100% Dimming

Control Setting Options
• Digital LED Display
• Set DMX Channel
• 3, 2, 1 DMX Channels modes
• 50-100% Output Limiter

NEW FEATURE - Stand Alone Mode
• Built in Chase programs
• Adjustable Speed times
• Adjustable Fade times
• Master/Slave Linkable

Cooling
• Fan Cooled

Technical Specifications
• 3-Pin XLR in/output
• Metal Yoke
• Fuse: 3 x 8A/GMA
• 120V AC
• Dimensions: Ø9" x 16" (241 x 413 mm)
• Weight: 10 lbs (4.54 kgs)

Lamp Source Options:
• 3 x ZB-HX600-120v-575w-3200k-300hrs
• 3 x ZB-HX601-120v-575w-3050k-1500hrs
• 3 x ZB-HX400-120v-400w-3200k-300hrs
• 3 x ZB-HX401-120v-400w-3050k-1500hrs

Elation Par Cans

Elation Professional - Professional Lighting & Entertainment Products and Accessories!

Advanced Control Network - A new protocol designed to improve upon on the exisiting known limitations of the DMX512 protocol. It was developed by the ESTA (The Entertainment Services and Technology Association).

T. Used . he Advanced Control Network (ACN) is intended to provide the next generation standard for the distribution of data in lighting control networks.
ACN needs to do much more than just supe. Used . rcede DMX. Ideally, ACN will unify lighting control networking, allowing a single network to carry many different kinds of lighting-related data and to connect equipment from different manufacturers. ACN is no

Backline - Backline is equipment that is located behind a live band while they are performing. Such examples of backline include amps for guitars and basses. It is the equipment that the band needs aside from . Used . the actual instruments that they are holding and using and the PA and FOH desks.

. Used . ...

Zoom Ellipsoidal - A type of profile spot with two lenses allowing the adjustment of both the size of the beam and whether it is a hard or soft focus. This adjustment of focal length makes for an instrument with many us. Used . es around the stage. The flexibility is also vital when working with gobos. Also known (in the US) as a Zoom Ellipsoidal.. Used . ...

Platforms - Some stages are made up of many smaller table like platforms so they can be easily transported or stored. These platforms are generally used in the forming of large stages, are fastened together, com. Used . e in different hights and widths and have different materials for their surface, like woods and canvases. . Used . ...

Ohm - A unit of measurement for the electrical resistance equal to that of a conductor in which a current of one ampere is produced by a potential of one volt across its terminals. One ohm is the resistanc. Used . e in a circuit when one volt maintains a current of one amp. The unit, originally ohma or ohmad, was first used by Charles Tilston Bright and Latimer Clark in 1861 and is still in use today.. Used . ...

Par Cans

PAR lighting refers to a special kind of lamp that has become a mainstay of the theatrical and concert lighting industry. PAR stands for Parabolic Aluminized Reflector, and is appreciated for its intensely powerful light beam and its relative low cost. As well as theatre, PAR lighting is also frequently used in concerts and movie production, as it is capable of producing the substantial flat light that is often required in many scenes. Also called PAR cans or PAR lights, PAR lighting is basically a single, intense beam of light that is housed in a very simple, can-shaped unit. It works in much the same way as an old fashioned car headlight works – the spread of the beam usually cannot be adjusted, unless the actual lamp is changed, and the reflector is an integral part of how the PAR lighting works. PAR Lighting is particularly popular with low budget concerts, thanks to their affordability, their ease of use, high light beam intensity, easy maintenance and long-lasting nature. One popular trick employed during concerts is to pair the PAR lighting with smoke machines and direct the beam of light through the smoke, making the light beam visible for neat yet cheap special effects. PAR lighting generally produces an incredibly intense, oval shaped pool of light. They come with various different sized lenses, which are measured in eights of an inch diameter and interpreted by the numbering of PAR lights (e.g. PAR 36, PAR 64 etc). In order to generate color with PAR lighting, gels (colored sheets) are fitted to the PAR cans. These can then be arranged in different colored rows, allowing for the lighting technician to ‘wash’ the stage in different colored lights as required.