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D12 Amp Rack Units

...00 / 200 V) and has a temperature and signal controlled fan to cool the internal assemblies. It is specifically designed to produce high power into low impedance loads, typically those between 4 and 16 ohms. A user definable 4-band parametric equalizer, and signal delay capability of up to 340 ms are incorporated and can be applied independently to each channel. A signal generator offering pink noise or sine wave program is also included. The D12 uses its Load monitoring and System check functions to ascertain the status of the loudspeaker impedance. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively. Apart from selectable output configurations for dual channel, mixed TOP/SUB and 2-Way Active mode, the D12 also provides d&b SenseDrive for use with the LF drivers in d&b active loudspeakers and Subwoofers and has output connector options. All these functions and parameters can be easily accessed and controlled via the LCD in conjunction with the digital rotary encoder or through the d&b Remote network.

DB Audiotechnik Amp Rack Units

d&b audiotechnik has been developing, manufacturing and distributing loudspeaker systems since 1981. The company operates internationally in the field of electroacoustics to produce high quality products for reinforcement of speech and music. Through the amalgamation of technological developments, system integration principals, quality of construction and standards of service, d&b pursues a systems approach that includes all aspects of design, development, manufacture and support. d&b's loudspeakers are used globally in rental and installation markets for events, multimedia, musicals, concert halls, theatres, opera houses, broadcast and everything from the smallest conference room to the largest stadium.

Compression and Dynamics - Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....

Lux - The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.

The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.

Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...

Backline - Backline is equipment that is located behind a live band while they are performing. Such examples of backline include amps for guitars and basses. It is the equipment that the band needs aside from . Used . the actual instruments that they are holding and using and the PA and FOH desks.

. Used . ...

MS - A stereo recording technique that uses of two different types of microphones, a directional or cardioid for the M facing forward and an omni-directional or figure-eight for the S with the lobes at a 9. Used . 0 degree angle. The main advantage being that the center sounds are not 45 degrees off-axis eliminating the gap in XY recording. Initially there were problems with reflections due to the use. Used . of two different types of mics, however mics have now been developed to overcome this problem....

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Amp Rack Units

Amp rack units refer to an assortment of rack-mounted or rack-protected PA amplification or sound reinforcement equipment that is set up to work with a mixer and loudspeakers. An amplifier, also called a power amplifier, is a basic signal processing unit that increases the power of an audio signal to make the sound from a human voice or music louder. A pro audio amplifier is used in professional sound systems as the last active component in the signal chain because it receives input from mixers or other signal processing units, increases the power of the signal, and sends the output to speakers. There are other types of amplifiers also referred to as amp rack units. A touring amplifier is simply a power amplifier that is designed to withstand conditions that touring musicians are exposed to especially being on the road most of the time. Live power amplifiers are used to support the audio demands of live performances. These amps make help create the unique experience of sound in live concerts. Some amp rack units are built by combining or adding amplifier modules with other parts. These are amplifier sub-units or parts designed to meet certain specifications. To have a whole amplification unit you may need a transformer, bridge rectifiers and filter capacitors, speaker connectors, input connectors, volume control, heatsink and a suitable rack mount case.