Buy Used Infinity Spot XL by Coemar
Infinity Spot XL Moving Lights...otating gobos + open
‚?Ę 1 effect wheel, for rotating prisms and gobo effects, 6 + open
‚?Ę Proportional zoom 7deg- 50deg
‚?Ę Mechanical stRobe, electronic stRobe (zap effect), synchronized, random, Pulse effect
‚?Ę Modular design for easy maintenance and servicing
‚?Ę Pan 530deg, Tilt 270deg, 16 bit
‚?Ę Length: 450 mm (17.7 in)
‚?Ę Width: 505 mm (19.9 in)
‚?Ę Height: 880 mm (30.7 in), head straight up
‚?Ę Weight: 51 kg (112.4 lbs)
LAMP AND BALLAST:
‚?Ę Type: Philips MSR Gold 1500 Fast Fit
‚?Ę Color temperature: 6000 Kelvin
‚?Ę Color rendering index: 83
‚?Ę Average lamp life: 750 hours
‚?Ę Socket: PGJX50
‚?Ę Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
‚?Ę USITT DMX512/1990
‚?Ę DMX channels: 30
‚?Ę Setting and addressing: LCD display or remotely
‚?Ę AC power: 190 - 250 V, auto-sensing, 50/60 Hz, 2m (6.6 ft) integral cable without power plug
‚?Ę Power consumption: 8 A at 230 V
‚?Ę DMX data in/out: 3 pin and 5 pin locking XLR
‚?Ę RJ45 for upload and Remote Control
Coemar Moving LightsFounded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries. COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.
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Pre-Rig - Pre-rig Trusses have bars with lights and other gear attached so that they can be lowered into a suitable operating position for a show or raised to store or transport without having to remove the gea. Used . r from the truss.. Used . ...
Base Station - A base station is a device used to centralize and process communication signals and information between crew members. . Used . . Used . ...
Coners and Hinges - Corners are used to attach trusses and other rigging while hinges are used to allow attached rigging to swing open so other gear can be connected.. Used . . Used . ...
Color Changers - A conventional lighting fixture with a remotely controlled colored changeable filter over the lens. There are three kinds of mechanisms used in color changers, a wheel with lens sized holes into which. Used . colored gells can be placed, multiple fixed filters that can be moved in and out of the beam to mix the colors and a scroller which uses continuous, usually dichroic, filters to mix an even . Used . greater number of colors.
Moving LightsMoving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.