Buy Used Alpha Beam 300 by Clay Paky

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Alpha Beam 300 Moving Lights

...l Clay Paky optical group, with a 300 W lamp produces three times the brightness as that of an ordinary 1200 W wash projector, generating an extraordinary “tube of light with a natural beam of 8deg.

The aperture and graphics of the “tube of light can be decided at will by using the 8 fixed gobos available, while a linear frost can be used to pass from a narrow hard beam to a more or less soft one.

CMY colour mixing and a colour wheel (8+1) allow the light beam to be coloured at will.

A Dimmer on a dedicated channel, stop/stRobe and high speed Pan/Tilt complete the Alpha Beam 300 configuration.

Innovative and complete, compact, service friendly and easy to install and use, Alpha Beam 300 is the ideal Moving Light Beam for “live professional use especially “long throw to cut through the brightness of stage washes or LED backgrounds, with Aircraft Landing light effects never seen before.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Reverb - Reverb is an audio effect that reproduces the many echos that occur when a sound is produced in an enclosed space where the sound is reflected repeatedly by the boundaries of the enclosure, even after. Used . the source of the sound stops. The number of echos and the duration of the echos can be varied and with some modern effects units, the shape of the enclosure can be altered as well.. Used . ...

Delay - Delay is an audio effect which records a signal or sound and then plays it back after a period of time. The delayed signal may be played back multiple times or looped back into the recording again to . Used . create the sound of a repeating decaying echo. Unlike reverb, which uses reflected sound to produce many echos, delay has greater control over the number of times the sound is echoed. . Used . ...

Intensity - Measured in both lux and lumens. For any given luminaire (lighting instrument or fixture), this depends upon the power of the bulb, the design of the instrument (and its corresponding efficiency), the. Used . presence or absence of color gels or gobos, distance from the area to be lit, the color and subtance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to ot. Used . her regions of illumination). ...

Accent - A distinguishing feature or characteristic in design, such as a feature that sets apart or complements a decorative style. Something that emphasizes or contrasts something else, like when a little col. Used . or makes the qualities of an image stand out. . Used . ...

Video - Video is the technology of electromagnetically recording, processing, transmitting, and reconstructing a sequence of images that represent scenes in motion.

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Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.