Buy Used Sapphire 2000 by Avolites

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Sapphire 2000 Lighting Consoles

...os : No
IFCB Filters : No
LTP/HTP : Both
Blind Mode : Yes
Quickfocus : No
Preset Focuses : IFCB (200)
Off Line Editor : No

Avolites Lighting Consoles

olites are dedicated to producing the very best control solutions for all aspects of the professional lighting industry. The company has focused on, listened to and built upon end-user feedback which has allowed continual development and evolution of the product range. Avolites equipment utilises cutting-edge technology whilst retaining the accessible, intuitive, hands-on familiarity for which Avolites' products have become popular and renowned. Avolites also believe 'the people' part of the equation is vital in ensuring their position as market leader is maintained. The company comprises a creative, motivated, positive and lateral thinking team of individuals who will ensure a successful and progressive future for the company.

Stage Lighting - Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of lighting instruments are used in the pursuit of the various p. Used . rinciples or goals of lighting. . Used . ...

Communications - Communication gear is essentially used to relay information to different individuals or teams during a show or performance to insure everything, including audio, lighting and staging are timed correct. Used . ly and functioning properly and safely. . Used . ...

Motor - A hoist is a device used for lifting or lowering a load by means of a drum or barrel around which rope or chain wraps. It may be manually operated, electrically or pneumatically driven and may use ch. Used . ain, fiber or wire rope as its lifting medium.

A hoist normally is used for lifting (near vertical) and a winch is normally used for pulling (near horizontal). . Used .

Patch Bays - A patch bay is a panel, usually rack mounted, that uses cable connections to allow technicians to quickly change the physical path of a select signal. Generally, shorter patch cables will plug into fr. Used . ont of the panel, while the back will have have much longer connections to more permanent cables and equipment. . Used . ...

Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...

Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.