Buy Used Y10 by Adamson Systems Engineering

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Y10 Line Array Speakers

...d trapezoidal cabinet design create a smooth, slightly curved, seamless wave front with no gaps between cabinets.

The Y10 has a defined coverage pattern of 100 degrees by 5 degrees at -3db down. The vertical coverage is determined by the number of cabinets added to the array. The Y10 comes complete with a sliding hinge rigging system with six one-degree increments, you can achieve precise angular positioning by adjusting the extension of the sliding hinge while the front of the array remains closed.

Light aluminum dollies, and all the components for rigging the Y-Axis come standard. Y10 Waterproof Soft Covers with customized silkscreening and black powder coated aluminum rigging frames to support 16 or 24 Y10's are available as optional accessories.

Applications
Live Concert Reproduction
Down fill for Y18
Theaters
Houses of Worship
Large Clubs

Features
Two Adamson ND-10 L Kevlar Neodymium Drivers
One JBL 2451 HF Driver
The Adamson Co-Linear Drive Module
One Adamson YX9 9 " Kevlar MF Driver
Aluminum Dolly Board
Stainless/Aluminum Slide Hinge Rigging

Adamson Systems Engineering Line Array Speakers

Brock Adamson's passion for sound has driven the evolution of Adamson Systems Engineering from a small speaker shop to a company invested in its own factory, with a broad engineering base and a wide range of computer controlled manufacturing machinery. Now Adamson is recognized as the most advanced manufacturer of loudspeaker systems in the industry. A versatile range of products - from the highly acclaimed Y-Axis and SpekTrix true line source arrays to the SX and MH Series of conventional loudspeakers - has equated the Adamson brand name around the world with excellence and distinction.

Compression and Dynamics - Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....

XY - A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...

Hertz - A unit of measure for frequency generally applied to waveforms, one Hertz is equal to one cycle in one second. It is abbreviated Hz so that 100 Hz would be 100 cycles per second. However, the unit m. Used . ay be applied to periodic events other than waveforms like the second hand on a clock, which would cycle at 1 Hz, or a human heart that may beat at 1.2 Hz. Named after the German physicist H. Used . einrich Rudolf Hertz, the name was established in 1930, but did not replace the term cycles per second until the 1970s.

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Windshield - Foam cover for microphones that reduces the interferance caused by wind and breath allowing the microphone to pick up the desired sounds.. Used . . Used . ...

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Line Array Speakers

Line array speakers make up a loudspeaker system to create a sound source that produces an evenly distributed sound output. The driver of each line array element is close enough to the driver of the next element to create constructive interference. The resulting sound waves go farther than sound waves from traditional loudspeakers. Line array systems date back to the early days of research in acoustics. Many old town halls and public venues still have old line source boxes which were found to project voice well though they are much smaller than horn-loaded speakers. These days, line array speakers use different drivers for high-, mid- and low-frequency passbands that must be in line. Each enclosure must be set up closely to form columns composed of these drivers. To increase the frequency range and maximum sound pressure, the number of drivers per enclosure must be increased. The orientation of line array speakers may vary. Vertical arrays are excellent for focusing sound at audiences without wasting output energy on ceilings or empty air above the audience because of its very narrow vertical output with a normally-wide horizontal pattern. On the other hand, horizontal line arrays have a very narrow horizontal output with a tall vertical pattern. For hanging concert speakers which are usually part of a concert reinforcement system, enclosures are set up together using a specialized rigging hardware and they hang from a single point. These line array speakers are curved backward at the lower portion so that the sound will reach more audience.