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Lus Indoor Architectural Lighting

The Lus strip, has been developed as a powerful alternative to conventional Floresent lighting or neon. This superb 12/24/36 watt RGB fixture creates halo projection for use in situations where colour is requires. The beam is available in a standard wide angle projection. The Lus/12/24/36 is powered via the Lud36/48 driver box.

Abstract AVR Indoor Architectural Lighting

Accent - A distinguishing feature or characteristic in design, such as a feature that sets apart or complements a decorative style. Something that emphasizes or contrasts something else, like when a little col. Used . or makes the qualities of an image stand out. . Used . ...

Moving Heads - A moving head is an intelligent light mounted on a moving yoke and generally remotely controlled by a lighting control console or preprogrammed to perform a large variety of effects and operations. A . Used . single moving head luminary can replace the functions of many conventional lights and can often perform tasks conventional lights can not. Most modern moving head luminaries utilize DMX-512 s. Used . ignals for control, but some can be controlled by way of analog signals as well.

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Zone System - A unique method introduced by photographers Ansel Adams and Fred Archer around 1940 for determining the best exposure and correct development for an individual photograph by way of analysiing the subj. Used . ects luminosities in terms of ten gray tones or “zones” labled 0 to IX or zero to nine and visualizing them as print densities. The zone system gives photographers a systematic method for ac. Used . curately identifing the relationship between the way they see the photographic subject and the results they achieve in their finished works....

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Color gel - Color gel is a translucent or transparent coloured material that is used in theatre to colour light. Modern gels are usually made of polycarbonate or polyester, but the name arose from the gelatin ori. Used . ginally used. See gel (theater).

Gels are also used in photography and cinematography for the purpose of color correction, and in this capacity are usually called color filters.<. Used . br />
Similar colors may vary between different companies' formulations - for instance, they all have a color named 'bastard amber', yet Rosco's bastard amber is different from Lee's is different from G...

Indoor Architectural Lighting

Indoor architectural lighting is seen by its proponents as something of an art, as well as a science. Also called architectural lighting design, indoor architectural lighting is about carefully balancing the requirements of light in a building with the building’s aesthetics, and also the cost and energy efficiency of the indoor architectural lighting system. For example, in indoor hotel lighting or indoor museum lighting, it’s possible to analyze how much daylight the internal spaces of the building receive, using something called the Daylight Factor to calculate this. These calculations can be based on tabular data in smaller, simpler buildings, and then applied to its indoor architectural lighting design. However, if a specialist indoor architectural lighting design is required for indoor building lighting, then it’s better to use software programs or mathematical models to calculate the optimum amount of light that will be needed for the most aesthetically pleasing effect. Many types of lighting equipment can be used in indoor architectural lighting. One of the newest, but still not widespread is indoor LED lighting, which is slowly gaining popularity for its low cost and high energy efficiency. For now, LED lighting is not standard in indoor architectural lighting, as more conventional lighting systems are preferred. Indoor architectural lighting is often unique to each building, as a buildings furniture and the color of its walls and ceilings (and the materials) all effect the lighting. Rooms with walls and ceilings that are painted in dark colors, or have dark colored wall paper, seem to absorb the light more readily than light colored rooms, and so the light in the room will appear dimmer than it actually is. It also has the effect of making the room looks smaller in some circumstances. Indoor architectural lighting designers also need to take care of certain reflective surfaces in a room, such as its furnishings, which can cause undesired glare if they are too reflective.