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CineFile Recording

...e works with both MAC and PC Protools files. This gives a seamless workflow with Protools – even across a network.
Simultaneous multi-format support. CineFile tracks can be configured as a combination of multiple “virtual recorders. For example a single project can contain music stems as a Protools session, Dialogue stems as an OMF file and effects stems as an AAF file. The CineFile can play back all of these files simultaneously during the mix.
Native AAF / OMF compatibility. As well as Protools compatibility, CineFile V2 can also record and playback OMF and AAF files without needing to import or export the files.
Integrated automation re-conform - integrates with AMS Neve digital consoles for simultaneous automation and audio reconform.
Powerful editing features. AMS Neve know a thing or two about editing! Hence CineFile includes powerful editing features such as Cut, copy, paste, slip, fades, slice and insert / remove stock.
Can open multiple projects at the same time. CineFile Version 2 software can open multiple projects at the same time and allow instant flip between any of the open projects. Any of the open projects can be edited / played / recorded. It is also possible to cut & paste between the open projects This feature is especially useful when working on the overlap between Film reels.
Key maps. Common CineFile transport / edit functions can be mapped to keys on a standard PC keyboard. This feature also supports templates such as Protools / Nuendo for fast operator familiarity.
Sony 9-Pin control. CineFile operates as a remote 9-pin machine which can be controlled from any Synchroniser.
Integration. CineFile integrates seamlessly into AMS Neve film and post consoles giving direct “hands on control from PEC panels.
MADI i/o. Built in MADI i/o means CineFile connects directly to any Madi console without any additional hardware being required.
Built in high performance SCSI drives. The CineFile comes complete with 2 high performance removable SCSI320 drives which means you can be up and running with the system “straight out of the box.
Undo punch-ins. CineFile includes a powerful undo function which allows punch-ins and edit operations to be undone.

Performance
The powerful hardware of the SCX card means CineFile features uncompromised 96 track repetitive punch in performance 1t 48kHz. In addition the CineFile is also capable of running at 96kHz and 192kHz (24 tracks 24 bit). Built in Gigabit EThernet, Firewire, USB and Dual-layer DVD writer gives maximum convertibility. Getting data into and out of CineFile is effortless. CineFile can be used as part of the AMS Neve Starnet ™ system to form part of a total integrated port production Recording, editing and mixing environment. For the most demanding applications CineFile can be supplied with built in dual redundant Power Supplies and hardware raided audio drives.
Control Surface
The Graphical user interface of the CineFile is simple to use yet flexible. Smooth, accurate waveforms scroll across the screen, meters and transport bars can be controlled by keyboard function keys and editing is quick and intuitive. A special “quick bar has been included for easy familiarisation in “dry hire sessions. CineFile can be controlled effortlessly from the console or by the user defined keyboard shortcuts. Recorders can be given names and track names can be automatically configured for surround stems by using the “pan macro facility. You can zoom in / out without interrupting playback and also choose to show particular recorders instantly.
StarNet™
The CineFile can be connected to AMS Neve's StarNet™

AMS Neve Recording

For more than 40 years AMS Neve has represented the pinnacle of professional audio design and engineering. More than a hundred world class analogue and digital designers, software specialists and audio purists spend their days dedicated to the advancement and evolution of professional audio products and workflows From its headquarters in northern England, AMS Neve has built a leading presence in the ultra high-end feature film scoring and mixing environments, the post-production and broadcast industries as well as in professional and project music studios worldwide. The company’s achievements have been recognized over the years by the industry’s most prestigious awards including an Emmy in 1992, a Grammy in 2000 and two Academy Awards in 1999 and 2004. While the awards and accolades are encouraging, our real reward comes from our commitment to making a difference to our clients’ enterprises in business, not just operational, terms. AMS Neve – no compromise professional audio.

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Recording

Sound recording is a form of recording or reproduction using electrical and mechanical translation of the sound waves. The sounds recorded are usually spoken voice, instrumental music, singing and sound effects. Audio recording can either be analog or digital. Analog recording uses a transducer such as a microphone to record sounds analogous to the air pressure surrounding the sound being recorded. The analog recorder may use a microphone diaphragm for acoustic sound recording. This microphone is highly sensitive to changes in the pressure of the acoustic sound waves. It records these sounds in graphic representations such as the phonograph that records grooves with a stylus. Sound waves from electronics can be directly reproduced from the pickups of an electric guitar or synthesizer. These are commonly used by musicians to hear how well they are doing during a recording session. Digital recording is the direct recording of audio or video into a storage device that records it as binary numbers representing the modifications in atmospheric pressure of the sound. The record can be stored and read back to be reproduced. This type of recording is more accurate and is more resistant to errors compared to analog recording. Both however have their own limitations. The analog system is bound by the capabilities of the medium and circuits used to record. In the digital system, the ratio of signal to noise is bound by the bit depth of the modification from analog to digital. Natural noise is a common limitation of both recording systems.