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Buy Used VL500D Wash by Vari-Lite

VL500D Wash

Vari-Lite
The VARI*LITE VL550 Wash luminaire is still based upon the Emmy Award-winning VL5 Wash luminaire, but with significant design improvements including a drive system that quiets the operation of all two-phase motors in the fixture during movement and while in static positions.; This luminaire is now available in the VL550 and VL550D models.The patented and innovative DICHRO*TUNE Radial color mixing system employs three sets of 16 Radially mounted dichroic blades - magenta, blue, and amber - de...
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Used VL500D Wash For Sale

All units have been well maintained by the sellers
certified Vari-Lite technicians.

$2,422 USD
€1.875 EUR
More currencies
Quantity:
6
Year:
2009
Excellent / Few Scratches

2 Day
Warranty
VL500D Wash in great condition.

$4,622 USD
€3.405 EUR
More currencies
Quantity:
1
Year:
2011
Excellent / Few Scratches

7 Day
Warranty
Contact a Sales Specialist about used VL500D Wash for sale.
+1.404.817.9300

VL500D Wash Moving Lights

...blue, and amber - designed to produce a smooth, full spectrum of color cross-fades.

This luminaire is also available with pastel versions of the standard colors. The pastel colors offer a softer Broadway-type color palette often used in live theater.

In addition to its internal Dimmer for intensity control, the VL550D utilizes 16 Radially mounted diffuser planes to control beam spread. For additional beam control, the VL550D may be purchased with six interchangeable lens options, including clear, stipple (included in stock fixture), 8-row, 10-row, 12-row, and Buxom.

The VL550D is designed with natural convection cooled lamps, and internally cooled electronics which utilize low velocity, low noise micro-fans. Two on-demand fans are mounted internally in the yoke arms and activate only in extreme conditions where ambient temperature exceeds 41degC, or if the fixture is mounted in a horizontal position. User override is possible through the unit's menu display.

The VL550D is a stand-alone fixture with no additional outboard equipment required. Simply plug in DMX512 and power, and the VL550D may be controlled through a variety of DMX512 lighting control consoles.

The VL550D comes standard with an on-board, backlit, invertible LCD display. This enhanced display is easy to read with or without the backlight on. The display also has an optional extended remote function, which allows "shop" addressing and adjustment of other fixture parameters by means of battery-powered, hand-held controller, thereby avoiding the need to power the light.
Vari-Lite

Vari-Lite Moving Lights

A "technical creative soul" has kept Vari-Lite at the forefront of the automated lighting industry since 1981. The company is founded on the belief that creative engineering can join with creative lighting to bring a new dimension to any performance or presentation. That notion first took root when Rusty Brutsché and Jack Maxson founded Showco in 1970. Innovation made Showco the premier sound and lighting equipment rental firm for the concert touring industry. A decade following Showco's initial success, company officials found themselves working on another technical leap, this time within the field of automated lighting. Until the 1980s, stage lighting systems for concerts and theater productions were bulky with numerous fixtures (a typical rock concert usually required up to 3,000 separate lights). Each light had to be manually focused and colored using celluloid gel material placed in front of each lighting fixture. To achieve color changes, the lighting fixtures had to be turned on and off or dimmed using electronic dimmers controlled by a computer lighting console. Throughout the late '70s, engineers worked to develop a color changer for a lighting fixture. Finally, they arrived at a solution: forget the "add-on" schemes, and concentrate on using internal dichroic coated glass filters and metal halide bulbs. The dichroic filters could be used to change colors almost instantaneously and create saturated colors not capable from the gel filters. That might have been the extent of their advancement if for a barbecue lunch in the fall of 1980. At that gathering, the idea of adding two extra motors to the fixture to actually make the light move was conceived. This "eureka" moment facilitated an all-out building effort for a fully automated lighting system that resulted in a prototype in December 1980. Shortly thereafter, the engineering team flew to London to show the prototype automated light (named "VL Zero") to longtime Showco client, Genesis. The British band had long been at the forefront of cutting-edge performance art technology, and was in rehearsal for an upcoming tour. At an English countryside studio, the new luminaire made its debut on the side of a 500-year-old barn. The prototype light had been programmed to enact two simple cues. The first reaction from the presentation came from band member Mike Rutherford: "I expected the color change, but by jove, I didn't know it was going to move." It was enough to convince Genesis to immediately invest in developing this new technology. Genesis wowed the audience with the first VARI*LITE® Series 100? system consisting of 50 VL1? luminaires and a computerized control console on the opening night of their "Abacab" tour on September 25, 1981 in a bullring in Barcelona, Spain. That rural demonstration was the "Genesis" of a new company - Vari-Lite, coined from a suggestion by Genesis manager Tony Smith. The new system was developed, complete with a programmable console that enabled lighting designers to create lighting effects that electrified the lighting industry and began a revolution that continues to this day. The dichroic color changing system allowed for up to 60 preselected colors to be changed in less than a tenth of a second and the computer control of the color change, dimming and movement of the light beams created stunning visual effects. The original VARI*LITE system was patented in 1983, and Vari-Lite has received numerous other U.S. and international patents on automated lighting technology as it has continued to innovate and develop the technology. Inspired by the magic of moving light and changing color, Vari-Lite set about creating complete lighting systems that add subtle nuance or brilliant spectacle to any event. The company offers designers the ultimate tool for creating lighting moments to remember. Since the beginning, Vari-Lite has led the world in automated lighting technology; developing pioneering products with an unrivaled reputation. Today, lighting professionals in theatre, television, concerts, motion pictures, corporate shows and advertising, look to Vari-Lite for inspiration and support for their productions.
Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.

Fresnels use a spherical reflector, with the filament of the bulb ...

Compression and Dynamics - Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Absorption - A surfaces ability to absorb sound. Absorption is rated from 0 to 1.

Full absoption is 1. Full reflection is 0. . Used . . Used .

Acoustics - Acoustics is a branch of physics and is the study of sound, mechanical waves in gases, liquids, and solids. A scientist who works in the field of acoustics is an acoustician. The application of acoust. Used . ics in technology is called acoustical engineering. There is often much overlap and interaction between the interests of acousticians and acoustical engineers.

"... acoustics is . Used . characterized by its reliance on combinations of physical principles drawn from other sources; and that the primary task of modern physical acoustics is to effect a fusion of the principles normally adhering t...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
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ALPHA WASH 300A compact, light and very silent washlight that is easy to install and extremely bright (20,500 lux [12deg] at 5m).The CMY system and 8+1 color wheel can provide any required tonality and an unrivalled color quality.2...
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KEY FEATURES: ?Brighter than a 575 W fixture, in a package half the size?Replace both 575 and 250 wash fixtures with one fully equipped moving light?Space, weight, power saving?Effect engine?Amazing zoom range from...
KEY FEATURES: ? Bright as a 575 W fixture, in a package half the size? Replace both 575 and 250 spot fixtures with one fully equipped moving light? Space, weight, power saving? Amazing zoom range from 35deg down to 9deg ?...

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