Blowout Inventory & Hot Gear Lists HERE

Buy Used Artisan Plus by Vari-Lite

Artisan Plus

Vari-Lite
The VARI*LITE ArtisanPlus control console provides manual and programmed control of up to 1000 channels and 2000 cues per channel. A bi-directional digital data link to the luminaires provides rapid system response and feedback. The ArtisanPlus console offers a wide variety of special programming functions, including timing data on a parameter level and the ability to ??filter parameter data. Filtering suppresses parameter recall during cue playback or prohibits parameter data from being record...
Also Known As: Used Artisan Plus

Used & New Prices

Used Price - USD View Used Prices
We can find this item used for you. Find This Product Used
New Price Request a New Price Quote Get New Price

Used Artisan Plus For Sale

Contact a Sales Specialist about used Artisan Plus for sale.
+1.404.817.9300

Artisan Plus Lighting Consoles

...ta from being recorded in a cue.
Vari-Lite

Vari-Lite Lighting Consoles

A "technical creative soul" has kept Vari-Lite at the forefront of the automated lighting industry since 1981. The company is founded on the belief that creative engineering can join with creative lighting to bring a new dimension to any performance or presentation. That notion first took root when Rusty Brutsché and Jack Maxson founded Showco in 1970. Innovation made Showco the premier sound and lighting equipment rental firm for the concert touring industry. A decade following Showco's initial success, company officials found themselves working on another technical leap, this time within the field of automated lighting. Until the 1980s, stage lighting systems for concerts and theater productions were bulky with numerous fixtures (a typical rock concert usually required up to 3,000 separate lights). Each light had to be manually focused and colored using celluloid gel material placed in front of each lighting fixture. To achieve color changes, the lighting fixtures had to be turned on and off or dimmed using electronic dimmers controlled by a computer lighting console. Throughout the late '70s, engineers worked to develop a color changer for a lighting fixture. Finally, they arrived at a solution: forget the "add-on" schemes, and concentrate on using internal dichroic coated glass filters and metal halide bulbs. The dichroic filters could be used to change colors almost instantaneously and create saturated colors not capable from the gel filters. That might have been the extent of their advancement if for a barbecue lunch in the fall of 1980. At that gathering, the idea of adding two extra motors to the fixture to actually make the light move was conceived. This "eureka" moment facilitated an all-out building effort for a fully automated lighting system that resulted in a prototype in December 1980. Shortly thereafter, the engineering team flew to London to show the prototype automated light (named "VL Zero") to longtime Showco client, Genesis. The British band had long been at the forefront of cutting-edge performance art technology, and was in rehearsal for an upcoming tour. At an English countryside studio, the new luminaire made its debut on the side of a 500-year-old barn. The prototype light had been programmed to enact two simple cues. The first reaction from the presentation came from band member Mike Rutherford: "I expected the color change, but by jove, I didn't know it was going to move." It was enough to convince Genesis to immediately invest in developing this new technology. Genesis wowed the audience with the first VARI*LITE® Series 100? system consisting of 50 VL1? luminaires and a computerized control console on the opening night of their "Abacab" tour on September 25, 1981 in a bullring in Barcelona, Spain. That rural demonstration was the "Genesis" of a new company - Vari-Lite, coined from a suggestion by Genesis manager Tony Smith. The new system was developed, complete with a programmable console that enabled lighting designers to create lighting effects that electrified the lighting industry and began a revolution that continues to this day. The dichroic color changing system allowed for up to 60 preselected colors to be changed in less than a tenth of a second and the computer control of the color change, dimming and movement of the light beams created stunning visual effects. The original VARI*LITE system was patented in 1983, and Vari-Lite has received numerous other U.S. and international patents on automated lighting technology as it has continued to innovate and develop the technology. Inspired by the magic of moving light and changing color, Vari-Lite set about creating complete lighting systems that add subtle nuance or brilliant spectacle to any event. The company offers designers the ultimate tool for creating lighting moments to remember. Since the beginning, Vari-Lite has led the world in automated lighting technology; developing pioneering products with an unrivaled reputation. Today, lighting professionals in theatre, television, concerts, motion pictures, corporate shows and advertising, look to Vari-Lite for inspiration and support for their productions.
Amplitude - Amplitude is a nonnegative scalar measure of a wave's magnitude of oscillation, that is, magnitude of the maximum disturbance in the medium during one wave cycle.

Sometimes this distance . Used . is called the "peak amplitude", distinguishing it from another concept of amplitude, used especially in electrical engineering: the root mean square (RMS) amplitude, defined as the square roo. Used . t of the temporal mean of the square of the vertical distance of this graph from the horizontal axis. The use of peak amplitude is unambiguous for symmetric, periodic waves, like a sine wave, a square wave, or...

Rigging Hardware - Rigging Hardware applies to all the pins, hooks and other pieces used to connect and hoist gear into place.. Used . . Used . ...

Platforms - Some stages are made up of many smaller table like platforms so they can be easily transported or stored. These platforms are generally used in the forming of large stages, are fastened together, com. Used . e in different hights and widths and have different materials for their surface, like woods and canvases. . Used . ...

Monitor - Monitor can refer to a speaker used on stage, usually in the shape of a wedge, to enable musicians to hear each other or a studio monitor that is designed for audio production in recording, film, tele. Used . vision and radio studios.. Used . ...

Wavelength - The distance from one point, usually the crest, on a vibrating wave to the same point on the next wave. The shorter the wavelength the higher the frequency and the more directional the wave and vice . Used . versa. Commonly designated by the Greek letter lambda (?), wavelengths are usually measured in Angstroms.. Used . ...

Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.
Popular Lighting Consoles
The lighting control console shall be a Reduced Instruction Set Computer (RISC) microprocessorbased system capable of providing complete manual or memory control of stage, studio andentertainment lighting fixtures via the DMX512 digital...
The Magic 260 is a 19-inch rack mount DMX controller from Elation Professional that's perfect for lighting users with ??mid-level needs, such as neighborhood clubs, discos and professional DJs.With 260 DMX channels, the Magic 260 can control...
Control Show 512, particularly designed to drive Stratos HI-RES and Stratos Color is the perfect complement to our remote controllers wich are highly appreciated for its reliability and easy programmation.It is the most ultimate controller...
Our new remote control "Fancy" is the last-born in our range and, although being the cheapest one, its technical features make it useful for a lot of applications. The dynamic menus and the advanced editing functions make Fancy very simple to...
The Easy Control is a small DMX recorder that can solve many problems in small installations, when the price of a DMX controllers is too high and therefore not acceptable.The advantage in using the Easy Control is not only in the price, but also...

$12,650
€9.677
KF650e Turn Key System in good conditi...

$699
€509
MAC 500 Profile E in good condition. M...

$36,156
€26.325
grandMA2 light in great condition.

$6,309
€4.826
T21 in good condition.

Glossary
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z