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Buy Used MC 7524 by NSI

MC 7524

NSI
Memory lighting controllers ranging from 16/32 to 32/64 channel consoles with memory scenes, submasters, encoder, DMX 512, 120v, and NSI Micro-Plex.
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MC 7524 Lighting Consoles

Memory lighting controllers ranging from 16/32 to 32/64 channel consoles with memory scenes, submasters, encoder, DMX 512, 120v, and NSI Micro-Plex.
NSI

NSI Lighting Consoles

NSI LIGHTING - Light Control Systems NSI is ushering in a new era of microprocessor controlled stage lighting technology with these products. The powerful NSI digital product series provides advanced, flexible control for a variety of innovative applications. Because of their advanced design, these consoles feature many benefits found in today's personal computers. You can add programmable memory, scene masters and chase effects, all with the simplicity of a familiar two-scene console.
Moving Light - A moving light truss has a wider opening to accommodate the space required for a moving head light. . Used . . Used . ...

WYSIWYG - Acronym for "What You See Is What You Get," that is used in computing to describe a system where the content during editing appears very similar to the final product. Often employed in the context of . Used . software tools for lighting design and production administration or applied to TTL (through the lens) camera systems where the viewfinders have 100% film frame coverage. WYSIWYG lighting sof. Used . tware usually has fantastic 3D rendering of lighting states and direct connections to lighting consoles, enabling accurate visualisation of lighting designs. WYSIWYGs significantly increase the connection b...

Prime Lens - A lens whose focal length is fixed. Prime lenses are not as versatile as zoom lenses, but are generally superior in optical quality. This is due to the simplisity of design with fewer moving parts th. Used . at can be optimized for one specific focal length. . Used . ...

Converters and Sync - An audio converter is a type of electronic hardware that converts analog audio signals to digital audio format or vice versa. Audio synchronizers arrange the signals, either analog, digital or both, s. Used . o that multiple the signals occur in time. . Used . ...

Zoom Lens - A mechanical assembly of lens elements with the capability to vary its focal length allowing for a closer or farther view of a subject, without changing perspective. Zoom lenses are often described b. Used . y the ratio of their focal lengths from longest to shortest. A 100mm to 400mm zoom may be described as a 4:1 or 4 zoom.

. Used . ...

Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.
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