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Buy Used MAC 250 Krypton by Martin Professional

MAC 250 Krypton

Martin Professional
The new MAC 250 Krypton features a number of significant changes that make this moving head suited to an even wider variety of markets - the club and discotheque scene, retail and leisure applications, special events and more.

Used & New Prices

Used Price $1,003 - $1,048 USD View Used Prices
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Used MAC 250 Krypton For Sale

MAC 250 Krypton in good condition. Minimum purchase of (2) units includes case. Priced per unit.

$1,003 USD
€892 EUR
Quantity:
17
Year:
2004
Normal Wear & Tear

7 Day
Warranty
MAC 250 Krypton previously used on various tours. Minimum purchase of (2) units includes a dual flight case.

$1,048 USD
€932 EUR
Quantity:
8
Year:
2009
Normal Wear & Tear

30 Day
Warranty
Contact a Sales Specialist about used MAC 250 Krypton for sale.
+1.404.817.9300

MAC 250 Krypton Moving Lights

The new MAC 250 Krypton features a number of significant changes that make this moving head suited to an even wider variety of markets - the club and discotheque scene, retail and leisure applications, special events and more.
Martin Professional

Martin Professional Moving Lights

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Entire Stages - An entire stage is a complete stage that generally include platforms, stairs and sometimes roofing, ranging in size from small easy to transport stages to large staging systems.. Used . . Used . ...

Headsets and Beltpacks - Headsets are simply headphones with an attached mic, usually a noise canceling condenser mic, used for communicating with other crew members during a show or production. Beltpacks provide power to the. Used . headset and allow it to be used remotely. . Used . ...

Color Changers - A conventional lighting fixture with a remotely controlled colored changeable filter over the lens. There are three kinds of mechanisms used in color changers, a wheel with lens sized holes into which. Used . colored gells can be placed, multiple fixed filters that can be moved in and out of the beam to mix the colors and a scroller which uses continuous, usually dichroic, filters to mix an even . Used . greater number of colors.



...

Revelation of Form - Altering the perception of shapes onstage, particularly three-dimensional stage elements. . Used . . Used . ...

Full Racks - Dimmer racks are cabinets designed for stacking many dimmer modules into an easily accessible space. They can be permanent architectural installments or portable units built for road travel and vary i. Used . n size from small rack with only a few dimmer modules to very large racks with hundreds. . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.
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