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Buy Used MAC 250 Krypton by Martin Professional

MAC 250 Krypton

Martin Professional
The new MAC 250 Krypton features a number of significant changes that make this moving head suited to an even wider variety of markets - the club and discotheque scene, retail and leisure applications, special events and more.

Used & New Prices

Used Price $1,030 - $1,076 USD View Used Prices
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Used MAC 250 Krypton For Sale

MAC 250 Krypton in good condition. Minimum purchase of (2) units includes case. Priced per unit.

$1,030 USD
€892 EUR
Quantity:
17
Year:
2004
Normal Wear & Tear

7 Day
Warranty
MAC 250 Krypton previously used on various tours. Minimum purchase of (2) units includes a dual flight case.

$1,076 USD
€932 EUR
Quantity:
8
Year:
2009
Normal Wear & Tear

30 Day
Warranty
Contact a Sales Specialist about used MAC 250 Krypton for sale.
+1.404.817.9300

MAC 250 Krypton Moving Lights

The new MAC 250 Krypton features a number of significant changes that make this moving head suited to an even wider variety of markets - the club and discotheque scene, retail and leisure applications, special events and more.
Martin Professional

Martin Professional Moving Lights

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Generators - Generators are used to provide power where power is otherwise not available, like in out door arenas or remote locations, or when not enough power is available at a particular location. . Used . . Used . ...

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This is the . Used . reason why an active crossover is, for the most part, placed before amps, containing integrated circuits (and line level signal processing). On the other hand a passive crossover is placed . Used . after amplifiers where power levels are much larger . ...

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Protocols should be distinguished from technical standards, which variously specify how to build a computer or related hardware device,...

Ellipsoidal Reflector Spotlight - ERS is an acronym standing for Ellipsoidal Reflector Spotlight. These are sometimes known by their brand names, especially Leko, short for Lekolite, the name given to them by their inventors, Joseph L. Used . evy and Edward Kook. ETC's Source Four has become a very popular ERS throughout the industry, and some people use the term Source Four to refer to spotlights in general. They come in many for. Used . ms, and are the most numerous and important instrument type in use. The flexibility of the ERS allows them to fulfill the bulk of the lighting roles in the theatre, from area lighting to close specials, from l...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.
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