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Buy Used FCS 960 by BBS Audio

FCS 960

BBS Audio
The FCS-960 is a 30-band graphic equaliser featuring Dual Mode switching between Normal and Fine filter width settings on each channel.The FCS-960 provides two channels in 3U of rack space. Constant Q-filters with filter-bypass centre taps are controlled by high grade, 45mM Faders with moulded polymer fader knobs which eliminate visual parallax error even under low light conditions.Also included are sweepable/switchable Hi-pass filter, Gain control and electronic balanced inputs and outp...
Also Known As: Used fcs, Used fcs 960
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Used & New Prices

Used Price $570 - $7,142 USD View Used Prices
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Used FCS 960 For Sale

FCS 960 in good condition.

$570 USD
€543 EUR
More currencies
Quantity:
21
Year:
1997
Normal Wear & Tear

2 Day
Warranty
Used on a few various rentals. 30 day warranty. From 2008.

$1,130 USD
€1.024 EUR
More currencies
Quantity:
4
Year:
2008
Excellent / Few Scratches

30 Day
Warranty
Used on various rentals.

$7,142 USD
€6.799 EUR
More currencies
Quantity:
5
Year:
2007
Excellent / Few Scratches

2 Day
Warranty
Contact a Sales Specialist about used FCS 960 for sale.
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FCS 960 Equalizers

...nced inputs and outputs.
BBS Audio

BBS Audio Equalizers

Fresnel Lens - A Fresnel lens is a type of lens invented by Augustin-Jean Fresnel. Originally developed for lighthouses, the design enables the construction of lenses of large size and short focal length without th. Used . e weight and volume of material which would be required in a lens of conventional design.

The Fresnel lens (often pronounced FREZ-nell but usually the original fre-NELL in theatr. Used . ical and motion picture lighting applications) reduces the amount of material required compared to a conventional spherical lens by breaking the lens into a set of concentric annular sections known as Fresnel

Limelight - An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...

Crank Lifts - A crank lift is used to manually lift and set a section of scaffolding into place.. Used . . Used . ...

Intelligent Lighting - Intelligent lighting is stage lighting that has automated or mechanical functions beyond traditional, stationary illumination. While intelligent lights can at times display complicated effects and fun. Used . ctions, they are only capable of performing the task set up by the programmer and are therefore sometimes referred to as obedient lighting. Intelligent lights come in many forms, but commonly. Used . are yoked moving heads or scanners and are usually controlled by DMX signals from lighting controllers or consoles. ...

Towers - Towers are truss like structures used to support roofs and other trussing systems.. Used . . Used . ...

Equalizers

Equalizers are used in sound recording to equalize the balance between an electronic signalâ??s frequency components, by boosting or cutting the energy of specified frequency bands. Audio equalization is most widely used in sound recording, although it has many other applications beside that of the recording studio. There are a number of different types of Equalizers used in music recording. For example, a simple bass control (or low shelf), is able to adjust the gain of low frequency audio signals, without impacting on other frequencies. High self Equalizers (like a treble) on the other hand, are used to adjust high frequency audio signals only. Parametric Equalizers offers a far greater range of audio equalization functions however. These types of Equalizers are able to make three specific adjustments, something that makes them incredibly versatile. They can be used first of all to adjust the center frequency, and then they can be used to adjust the Q Factor in order to determine how sharp the bandwidth is. Finally, they can also be used to adjust the gain control in order to determine how much a frequency is boosted or cut in relation to frequencies above or below the selected center frequency range. A Graphic Dynamic Equalizer is similar to a Parametric Equalizer, except that these Equalizers are designed to be much more user-friendly. However, they are also less flexible than Parametric Equalizers. Graphic Equalizers employ a bank of filters to cover as many as 30 different frequency bands in the audio spectrum, depending on the model. The center frequency and Q Factor on Graphic Equalizers is fixed, but the level of these can be adjusted.
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