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Buy Used FCS 960 by BBS Audio

FCS 960

BBS Audio
The FCS-960 is a 30-band graphic equaliser featuring Dual Mode switching between Normal and Fine filter width settings on each channel.The FCS-960 provides two channels in 3U of rack space. Constant Q-filters with filter-bypass centre taps are controlled by high grade, 45mM Faders with moulded polymer fader knobs which eliminate visual parallax error even under low light conditions.Also included are sweepable/switchable Hi-pass filter, Gain control and electronic balanced inputs and outp...
Also Known As: Used fcs, Used fcs 960
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Used Price $570 - $7,142 USD View Used Prices
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Used FCS 960 For Sale

FCS 960 in good condition.

$570 USD
€478 EUR
More currencies
Quantity:
21
Year:
1997
Normal Wear & Tear

2 Day
Warranty
Used on a few various rentals. 30 day warranty. From 2008.

$1,284 USD
€1.024 EUR
More currencies
Quantity:
4
Year:
2008
Excellent / Few Scratches

30 Day
Warranty
Used on various rentals.

$7,142 USD
€5.986 EUR
More currencies
Quantity:
5
Year:
2007
Excellent / Few Scratches

2 Day
Warranty
Contact a Sales Specialist about used FCS 960 for sale.
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FCS 960 Equalizers

...nced inputs and outputs.
BBS Audio

BBS Audio Equalizers

Limelight - An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...

Controllers - A hoist or motor controller is a machine for raising and lowering personnel or gear by means of a cable for the purpose of setting the gear in place on a truss or stage.

. Used . . Used . ...

Ground Support - In Staging, Ground Support applies to any electrical or mechanical device to aid a rigging crew in lifting and placing staging gear, lighting or audio gear into place.. Used . . Used . ...

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Xenon Lamp - A type of discharge lamp with high output generally used in Strobe lights and flashes, though sometimes found in some followspots. These lamps utilize an internal electrical discharge passed between . Used . electrodes suspended in xenon gas. Xenon lamps have a color temperature of between 5600 - 6500°K and produce extremely intense, incoherent, full-spectrum white light usually for very short d. Used . urations. ...

Equalizers

Equalizers are used in sound recording to equalize the balance between an electronic signalâ??s frequency components, by boosting or cutting the energy of specified frequency bands. Audio equalization is most widely used in sound recording, although it has many other applications beside that of the recording studio. There are a number of different types of Equalizers used in music recording. For example, a simple bass control (or low shelf), is able to adjust the gain of low frequency audio signals, without impacting on other frequencies. High self Equalizers (like a treble) on the other hand, are used to adjust high frequency audio signals only. Parametric Equalizers offers a far greater range of audio equalization functions however. These types of Equalizers are able to make three specific adjustments, something that makes them incredibly versatile. They can be used first of all to adjust the center frequency, and then they can be used to adjust the Q Factor in order to determine how sharp the bandwidth is. Finally, they can also be used to adjust the gain control in order to determine how much a frequency is boosted or cut in relation to frequencies above or below the selected center frequency range. A Graphic Dynamic Equalizer is similar to a Parametric Equalizer, except that these Equalizers are designed to be much more user-friendly. However, they are also less flexible than Parametric Equalizers. Graphic Equalizers employ a bank of filters to cover as many as 30 different frequency bands in the audio spectrum, depending on the model. The center frequency and Q Factor on Graphic Equalizers is fixed, but the level of these can be adjusted.
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