Used Studio Color 575 M

Studio Color 575 M - Magnetic Balast - Well Maintained
Studio Color 575 M - With New Lamps
Studio Color 575 M - Magnetic Version units

Studio Color 575 M

Studio Color 575 M is the optimum wash light for powerful color mixing and beam shaping. This fixture offers a full designer's palette, including virtually unlimited color selection, dimming, stRobe and shutter, variable beam-shaping, variable frosting, and precision positioning. Its quiet, convection cooling has established it as a favorite among theatre designers. This amazing combination of features has made the Studio Color 575 a staple of the entertainment industry.

Used High End Systems

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.

Controllers - A hoist or motor controller is a machine for raising and lowering personnel or gear by means of a cable for the purpose of setting the gear in place on a truss or stage.

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Subtractive Color - Subtractive color explains the theory of mixing paints, dyes, inks, and natural colorants to create colors which absorb some wavelengths of light and reflect others. The color that an object appears t. Used . o have is based on what parts of the electromagnetic spectrum are reflected by it, or conversely by what parts of the spectrum are not absorbed.

Anything that is not additive col. Used . or is subtractive color. No other color mixing systems are known, except the imperfect system resulting from mixing real pigments, something that is very confusing nowadays.

Color is not an absolu...

PAR - PAR is an acronym referring to "Parabolic Aluminized Reflector" which describes the mirror configuration. PAR lights resemble car headlights. They possess a lens, but the lens is an integral part of t. Used . he lamp and its position relative to the filament canno . Used . ...

Compression and Dynamics - Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....

Laser - LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.