Used MAC III Profile

MAC III Profile - Comes with single cases.
MAC III Profile - These items are used and refurbished by Marti...

MAC III Profile

The MAC III Profile offers a perfect balance between a superior feature list and ultimate performance. This high-output Profile Spot combines a new 1500 watt lamp technology with superb optical efficiency, a new design and great feel to take moving head performance to a higher level.

Used Martin Professional

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Strip Light - Strip lights, also known as Cyclorama (Cyc) lights are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length. Lam. Used . ps are often covered with individual gels of multiple c . Used . ...

Illumination - The simple ability to see what is occurring onstage
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White Noise - A random audio signal with a flat power spectral density that contains noise at the same level at all frequencies. The signal's spectral density has equal power in any band and at any frequency in a . Used . given bandwidth. White noise is similar to white light which contains all frequencies. White noise is often used in the field of architectural acoustics to mask distracting or undesirable n. Used . oises in interior spaces....

Bulbs - A Bulb or light bulb is a source of artificial light. There are many different kinds of bulbs including High Intensity Discharge or HIDs, Halogen, Fluorescent and Light Emitting Diodes, but the most . Used . common is the incandescence that works by the release of electromagnetic radiation. . Used . ...

Preset Boards - Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.

Generally, a preset board operator has a cue sheet for each s...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ?� of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?�, if they have the experience to do so.