Used DL.2

DL.2 - DL2
DML 1200 w/o Axon - This DML-1200 is in Factory Cardboard. Was Us...
DL.2 - 5000 lumen units
DL.2 - Used on various rentals.
DL.2 - 90 Day Factory Warranty
DL.2 - Motivated Buyer. Great Condition.
DL.2 - Highly Motivated Seller! (5.5K version)
DL.2 - Almost Brand New units
DL.2 - Reduced price & 60 day warranty.These units c...
DL.2 - Highly Motivated Seller! (5.5K version)
DL.2 - Oct. 2005 units in Cases
DL.2 - Reduced Price - Refurb'd - Factory Warranty
DL.2 - LX55 version with current software

DL.2

Features

Full-Motion 5000 Lumen Digital Video Projection System

Integrated Media Server with 3D workspace

Loaded with over 950 stock media files

Loaded with almost 100 stock 3D objects

Built-in Camera for Live Video

Accepts custom content

Remote content management via PC and MAC

240 degrees tilt and 400 degrees pan

DL2 ships standard with a Super HAD sensor camera

The DL2 is 115lbs or 52.3kgs.

There are RGBHV, VGA, and S-video inputs. While the graphics engine will not process the RGBHV and VGA inputs (i.e. they are passed through directly to the projector), the S-Video input can be routed and manipulated through the graphics engine as another media source.

The DL2 has digital dimming as a graphics engine feature as well as an iris for total black out.

Intel Pentium 4 w/HT technology

2GB DDR2 RAM

It's a Seagate SATA drive

ATI Radeon X850 XT, this card is also the video capture card for the Sony camera.

Window XP embedde

Christie Digital LX50

5000 ANSI lumens

1200:1 Ratio full on/full off

Throw Ratio 1.8 – 2.4:1

Lamp 300 W NSH

4:3 native Aspect ratio with 1024 x 768 resolution

Built in Camera with Super HAD sensor technology

Resolution 768 x 494 pixels

Optical Zoom range18x

The camera has infrared (night vision) capabilities. Video captured using the Night Vision system is a monochrome image but can be colorized if a DL2 graphic engine filter is chosen. The IR illumination system is dim-able and controlled from the lighting console.

Used High End Systems

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.

Cameras - A video camera is a camera that takes continuous pictures and generates a signal for display or recording. It captures images by breaking them down into a series of electromagnetic lines.. Used . . Used . ...

Scanner - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Motors - Motors are any electrical or mechanical device used to power lifts that aid the ground support crew in placing gear up onto stages or trusses.. Used . . Used . ...

Intelligent Lighting - Intelligent lighting is stage lighting that has automated or mechanical functions beyond traditional, stationary illumination. While intelligent lights can at times display complicated effects and fun. Used . ctions, they are only capable of performing the task set up by the programmer and are therefore sometimes referred to as obedient lighting. Intelligent lights come in many forms, but commonly. Used . are yoked moving heads or scanners and are usually controlled by DMX signals from lighting controllers or consoles. ...

Used Intelligent Lighting Projectors

Intelligent projectors are a special type of lighting equipment used in theatre and concerts, which are used to project a beam of light onto a specific location on the stage. Intelligent projectors, also called moving head projectors, and a unique kind of digital lighting– they have no actual lens, and so the spread of the light beam is always very narrow. Moving digital luminaires such as these intelligent projectors are very popular with lighting technicians, as the narrow beam of light allows them to define a very small portion of the stage, while leaving the rest of the performance area in darkness. This effect is referred to as a “godspot effect”. They are often combined with special effects such as fog or haze in order to create very atmospheric conditions on the stage. Intelligent projectors use two reflectors – a parabolic reflector for organizing the light into beams that are virtually parallel, and a spherical reflector at the front of the digital lighting, which reflects the light beam onto the parabolic reflector, thus lessening the amount of spill. This design results in intelligent projectors producing an extremely intense and very narrow light beam, which is neither easily modified or controlled.