The
MAC 2000 Profile set the industry standard in moving head lights in the early to mid 2000's and continued to remain steady as a staple automated light for all sectors of the event lighting industry.
The first in the MAC 2000 series, the
MAC 2000 Profile is a high performance lighting tool for touring, theater and special event applications. Based on input from some of the world's top lighting professionals, the MAC 2000 Series delivers an exceptional combination of extreme power and new projection possibilities.
Used Martin
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Zoom Lens - A mechanical assembly of lens elements with the capability to vary its focal length allowing for a closer or farther view of a subject, without changing perspective. Zoom lenses are often described b. Used . y the ratio of their focal lengths from longest to shortest. A 100mm to 400mm zoom may be described as a 4:1 or 4× zoom.
. Used . ...
Rigging Hardware - Rigging Hardware applies to all the pins, hooks and other pieces used to connect and hoist gear into place.. Used . . Used . ...
Kelvin - The kelvin (symbol: K) is the SI unit of temperature, and is one of the seven SI base units. It is defined by two facts: zero kelvins is absolute zero (when molecular motion stops), and one kelvin is . Used . the fraction 1/273.16 of the thermodynamic temperature of the triple point of water. The Celsius temperature scale is now defined in terms of the kelvin, with 0 °C corresponding to 273.15 kel. Used . vins, approximately the freezing point of water under ordinary conditions.
The kelvin is named after the British physicist and engineer William Thomson, 1st Baron Kelvin; his barony was in turn na...
Recording - Sound or audio recording is the electrical or mechanical encoding of sound waves and audio signals, usually voice or music for the purpose of reproducing the sounds at a later time. There are two basi. Used . c types of recording, analog in which the signal is variable and continuous, and digital in which the signal is first converted into a binary language.. Used . ...
White Noise - A random audio signal with a flat power spectral density that contains noise at the same level at all frequencies. The signal's spectral density has equal power in any band and at any frequency in a . Used . given bandwidth. White noise is similar to white light which contains all frequencies. White noise is often used in the field of architectural acoustics to mask distracting or undesirable n. Used . oises in interior spaces....
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.