Thank you for purchasing our product Pilot 1200
, PR-2900. This product manual contains important information about the safe installation and use of this projector. Please read and follow these instructions carefully and keep this manual in a safe place for future
reference. Pilot 1200
is an innovative projector with an elegant housing, which complies to CE norms and
standards and uses international protocol DMX 512.
The projector uses HMI1200W/S discharge lamp and high quality optical system, which produces
bright and beautiful light beam and has 60% output lumen more than the similar products with the
same power consumption. The projector features effects of stRobe
, frost light, mixed colours and
rainbow, so it is suitable for applications in TV station, disc, singing and dancing stage, nightclub, etc.
Used PR Lighting
Founded in 1984, at Guangzhou, China, PR Lighting Ltd. has been dedicated to R&D and manufacture of professional, intelligent stage lighting, architectural lighting and LED products. After its positive evolution during the past 20 years time, the company has now pioneered in China lighting industry, and earned a solid reputation for its own brand all over the world.
- A power distro send power evenly and appropriately to various staging and rigging equipment to insure there is enough power to properly run the various equipment.. Used . . Used . ...Ballyhoo
- A set of programmed moves for automated lights where the lights move randomly within a specific area.. Used . . Used . ...Preset Boards
- Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.
Generally, a preset board operator has a cue sheet for each s...Address
- In computer science, a memory address is a unique identifier for a memory location at which a CPU or other device can store a piece of data for later retrieval. In modern byte-addressable computers, e. Used . ach address identifies a single byte of storage; data too large to be stored in a single byte may reside in multiple bytes occupying a sequence of consecutive addresses. Some microprocessors . Used . were designed to be word-addressable, so that the typical storage unit was actually larger than a byte. Examples include the Texas Instruments TMS9900 and the National Semiconductor IMP-16, both of which used ...Discharge Lamp
- A high powered light source produced by an arcing electrical discharge between two electrodes suspended in a glass tube filled with gas, usually high or low pressure sodium gas, xenon, mercury vapor, . Used . or metal halide. This type of illumination is limited to applications such as followspots and projection, where dimming is accomplished by mechanical instruments. Many newer generation mov. Used . ing lights use discharge lamps, dichroic filters and mechanical dimming shutters....
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.