Used MAC 2000 Wash

MAC 2000 Wash - MAC 2000 WASH
MAC 2000 Wash - 30 Day Warranty, Great Condition
MAC 2000 Wash - Well Maintained
MAC 2000 Wash - Priced per unit. Minimum order of two units.
MAC 2000 Wash - Mac 2000 Wash in Dual Road Cases
MAC 2000 Wash - MAC 2000 Wash Year 2005
MAC 2000 Wash E - Repo Units. Very Low Price.
MAC 2000 Wash - Type II Electronic Version with 60 day warran...
MAC 2000 Wash - Price goes back to $5,390 after 6/27/06
MAC 2000 Wash - Corporate Use Only
MAC 2000 Wash - Very Clean Units
MAC 2000 Wash E - In great condition. Been well maintain by ser...
MAC 2000 Wash - Price goes back to $5,390 after 6/27/06

MAC 2000 Wash

The MAC 2000 Wash is a 1200 Watt moving head wash light that provides CMY color mixing, color correction (CTC), two color wheels (each with four removable colors), a combined dimmer/shutter. 540deg of pan, and 267deg of tilt. It has a Fresnel lens fitted as standard, and is also supplied with a PC lens and a super-wide-angle lens. Motorized zoom provides beam angle ranges of 11deg through to 40deg (Fresnel), 12deg through to 34deg (PC lens), or 66deg through to 80deg (super-wide-angle lens). It is fitted with an electronic ballast for flicker-free operation and an economic power-saving mode. It also has a switch mode Power Supply allowing it to

Used Martin

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

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Auxiliary Input - A signal path that goes back to the sound console for line lever signals sent to a seperate outboard piece of equipment such as an EQ, Delay, Effect Processor, etc, via an Auxiliary Send.. Used . . Used . ...

Achromatic - A lens arrangement designed to decrease chromatic aberration, for example: to set the same focal length for red and blue light at the focal plane. Also, a color having no chroma as in black, white and. Used . grays created by mixing black and white instead of other colors that are made of chromatic pigments.. Used . ...

Xenon Lamp - A type of discharge lamp with high output generally used in Strobe lights and flashes, though sometimes found in some followspots. These lamps utilize an internal electrical discharge passed between . Used . electrodes suspended in xenon gas. Xenon lamps have a color temperature of between 5600 - 6500°K and produce extremely intense, incoherent, full-spectrum white light usually for very short d. Used . urations. ...

Ethernet - Ethernet (this name comes from the physical concept of ether) is a frame-based computer networking technology for local area networks (LANs). It defines wiring and signaling for the physical layer, an. Used . d frame formats and protocols for the media access control (MAC)/data link layer of the OSI model. Ethernet is mostly standardized as IEEEs 802.3. It has become the most widespread LAN techno. Used . logy in use during the 1990s to the present, and has largely replaced all other LAN standards such as token ring, FDDI, and ARCNET. ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.