Used Studio Color 575 S

Studio Color 575 S - From 2001 and are in excellent working order....
Studio Color 575 S - Excellent condition with double fight case
Studio Color 575 S - Studio Color 575
Studio Color 575 S - Recently Teched, Include Dual Cases
Studio Color 575 S - 30 Day Part Warranty. Have Been on A Regular ...
Studio Color 575 - 30 Day Parts & Labor Warranty
Studio Color 575 (S Version) - Price good until June 16th
Studio Color 575 (s version) - 2 Years old and very clean
Studio Color 575 S - Studio Color 575 in good condition
Studio Color 575 S - 575 Version

Studio Color 575 S

Studio Color 575 S is the optimum wash light for powerful color mixing and beam shaping. This fixture offers a full designer's palette, including virtually unlimited color selection, dimming, stRobe and shutter, variable beam-shaping, variable frosting, and precision positioning. Its quiet, convection cooling has established it as a favorite among theatre designers. This amazing combination of features has made the Studio Color 575 a staple of the entertainment industry.

Used High End Systems

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.

Outboard Effects - Outboard effects hardware is generally used to artificially enhanced or processes sounds or audio signals to artistically emphasize or place the content into a more appropriate signal.. Used . . Used . ...

Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.

Fresnels use a spherical reflector, with the filament of the bulb ...

Strip Light - Strip lights, also known as Cyclorama (Cyc) lights are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length. Lam. Used . ps are often covered with individual gels of multiple c . Used . ...

Video - Video is the technology of electromagnetically recording, processing, transmitting, and reconstructing a sequence of images that represent scenes in motion.

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Moving Mirror Lights - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.