Used GrandMA Full II

GrandMA Full - Series 1 - Used GrandMA Full From 2005 Incl...
GrandMA - Full in Excellent Condition
GrandMA Full - Used on various rentals. Comes with a 60 day ...
GrandMA Full - Used on an installation. Mint.
GrandMA Full - From touring. Comes with flight case.
GrandMA Full - NSP included with console, a $7000 value!!!
GrandMA - w/Expansion chip (additional 4 universes)
GrandMA Full - Great working condition. Desk has been used i...
GrandMA - Excellent Condition with Case
GrandMA Full - NSP included with console, a $7000 value!!!
GrandMA - This is a Full Size GrandMA with a 60 Day War...
GrandMA - GrandMA full size. NOT A RENTAL UNIT.
GrandMA Full - Maxxyz package
GrandMA Full - GrandMA Fullsize Series 1. Used for corporat...
GrandMA - Fully upgraded and in excellent condition
GrandMA Full - Full Size Grand MA Consoles in Very Good Cond...
GrandMA - Full Size, in Flight Case, w/60 Day Warranty!
GrandMA Full - Year: 2007 - Best Price and Condition
GrandMA - Full Size
GrandMA Full 2 - Was new on 06-23-11.
GrandMA - Grand MA FullSize
GrandMA Full - Grand MA full size. 4096 channels. Mainly use...
GrandMA Full - Used for corporate events. Never toured. Has ...

GrandMA Full

The combination of well-established operating structures, phenomenal design and first-class quality packed with a host of fresh ideas and the latest technologies grants access to enthralling new dimensions. The grandMA offers an absolutely simple - almost perfect - control of extensive light shows with lots of channels and intelligent Moving Lights.

By no means is the grandMA any kind of substitute for one of the well - established MA boards. It rather embodies a next step in the continuous, future - oriented evolution towards the unlimited prospects of modern light design.

MA users will feel quite familiar with the grandMA right from the start. The basic procedures, known from the Scancommander, have proven to be the optimum solution for controlling intelligent Moving Lights - and, yes, have even become the standard for our industry. Obviously there have also been a number of changes - controlling a few hundred channels can't do without new intelligent solutions for all the individual, time-consuming operating steps. Basically, however, the grandMA still is a typical MA control board - easy to understand but nevertheless unbelievably poweful.

Used MA Lighting

The company was founded in 1983 by Michael Adenau (MA) and enjoys strong growth from the very beginning until today. More than 10,000 MA control desks are being used all over the world and MA´s digital dimming systems have become an industry standard. The success accelerated in 1985, when software specialist Ernst Ebrecht joined MA Lighting as a partner. In this period MA introduced the Lightcommander 24 and Lightcommander 48 control desks. When launched in 1992 the MA Scancommander caused a huge stir in the burgeoning world of moving light control. This product established MA Lighting as a leading innovator of lighting control for the global touring and event sector. Leading producers of intelligent lighting showed great interest in MA's new operating philosophy, which radically differed from the historical "dimmer -oriented" control systems of that time. In the spring of 1998 MA showed the world the eagerly awaited grandMA console. This hybrid lighting control console brought a new level of hardware sophistication to the lighting world. The full color touch screens, motorized faders, built in UPS (uninterruptible power supply) and hard drive were only the beginning. The summer of 2000 saw the launch of a host of new products from MA, the grandMA light, the grandMA replay unit and the grandMA offline editor. In the autumn of 2001, the grandMA range will be completed with the introduction of the grandMA ultra-light. The ultra-light has 1,024 channels but retains the main features of a grandMA at a very competitive price. Today, MA Lighting are well known for their technical know-how and have achieved an unique international reputation for its operational philosophy. MA´s award-winning products are extremely reliable and offer cutting-edge solutions for dimming and control. Organizational Structure This story of success is strongly based on the teamwork between MA and Lightpower. Lightpower, located in Paderborn, is handling the international distribution of MA products since 1987. The two companies work very closely together and, through their respective roles, have made each other stronger. Production, and research & development are located in MA´s modern headquarters in Waldbuettelbrunn. For marketing, sales and technical support Lightpower has founded a new subsidiary: MA Lighting International. All of these activities are coordinated in their Paderborn facilities.

Scoop Light - Scoop lights or Scoops are circular fixtures that do not have any lenses. They have a reflector at the back of the fixture that directs the light out of the fixture. Since they do not have any sort o. Used . f lens system they are cheaper than other fixtures. However, the downside of this makes it so that you can not focus the light at all (even PAR's allow for more control than scoops). . Used .

Communications - Communication gear is essentially used to relay information to different individuals or teams during a show or performance to insure everything, including audio, lighting and staging are timed correct. Used . ly and functioning properly and safely. . Used . ...

Audio - Audio is the science and art of recording or reproducing sound through mechanical or electronic means. The field includes many disciplines, such as electrical engineering, acoustics, and music with de. Used . sign, installation and operation of sound recording and reproduction equipment as the focus. . Used . ...

Address - In computer science, a memory address is a unique identifier for a memory location at which a CPU or other device can store a piece of data for later retrieval. In modern byte-addressable computers, e. Used . ach address identifies a single byte of storage; data too large to be stored in a single byte may reside in multiple bytes occupying a sequence of consecutive addresses. Some microprocessors . Used . were designed to be word-addressable, so that the typical storage unit was actually larger than a byte. Examples include the Texas Instruments TMS9900 and the National Semiconductor IMP-16, both of which used ...

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

. Used . . Used . ...

Used Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.