Used MAC 2000 Wash

MAC 2000 Wash - Priced per unit. Minimum order of two units.
MAC 2000 Wash E - Repo Units. Very Low Price.
MAC 2000 Wash - Price goes back to $5,390 after 6/27/06
MAC 2000 Wash - 30 Day Warranty, Great Condition
MAC 2000 Wash - Well Maintained
MAC 2000 Wash - Very Clean Units
MAC 2000 Wash - Mac 2000 Wash in Dual Road Cases
MAC 2000 Wash - Price goes back to $5,390 after 6/27/06
MAC 2000 Wash E - In great condition. Been well maintain by ser...
MAC 2000 Wash - Corporate Use Only
MAC 2000 Wash - MAC 2000 Wash Year 2005
MAC 2000 Wash - Type II Electronic Version with 60 day warran...
MAC 2000 Wash - Corporate Use Only

MAC 2000 Wash

The MAC 2000 Wash is a 1200 Watt moving head wash light that provides CMY color mixing, color correction (CTC), two color wheels (each with four removable colors), a combined dimmer/shutter. 540deg of pan, and 267deg of tilt. It has a Fresnel lens fitted as standard, and is also supplied with a PC lens and a super-wide-angle lens. Motorized zoom provides beam angle ranges of 11deg through to 40deg (Fresnel), 12deg through to 34deg (PC lens), or 66deg through to 80deg (super-wide-angle lens). It is fitted with an electronic ballast for flicker-free operation and an economic power-saving mode. It also has a switch mode Power Supply allowing it to

Used Martin

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Ellipsoidal Reflector Spotlight - ERS is an acronym standing for Ellipsoidal Reflector Spotlight. These are sometimes known by their brand names, especially Leko, short for Lekolite, the name given to them by their inventors, Joseph L. Used . evy and Edward Kook. ETC's Source Four has become a very popular ERS throughout the industry, and some people use the term Source Four to refer to spotlights in general. They come in many for. Used . ms, and are the most numerous and important instrument type in use. The flexibility of the ERS allows them to fulfill the bulk of the lighting roles in the theatre, from area lighting to close specials, from l...

Revelation of Form - Altering the perception of shapes onstage, particularly three-dimensional stage elements. . Used . . Used . ...

Zone Focusing - Technique for focusing a lens so that the field depth extends over a predetermined scope of distances making an entire area, or zone, in focus rather than one specific subject. . Used . . Used . ...

Fresnel Lens - A Fresnel lens is a type of lens invented by Augustin-Jean Fresnel. Originally developed for lighthouses, the design enables the construction of lenses of large size and short focal length without th. Used . e weight and volume of material which would be required in a lens of conventional design.

The Fresnel lens (often pronounced FREZ-nell but usually the original fre-NELL in theatr. Used . ical and motion picture lighting applications) reduces the amount of material required compared to a conventional spherical lens by breaking the lens into a set of concentric annular sections known as Fresnel

Coners and Hinges - Corners are used to attach trusses and other rigging while hinges are used to allow attached rigging to swing open so other gear can be connected.. Used . . Used . ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.