‚?Ę Superior brightness
‚?Ę Narrow to wide zoom ranges (5deg-84deg total) in one unit
‚?Ę Ground breaking new color mix system able to achieve CMY and RGB colors (CMY-s, Patent Pending)
‚?Ę Effects wheel for creating texture and aerial effects with wash light (Patent Pending)
‚?Ę Electronically adjustable lamp power (700 W to 1450 W)
‚?Ę Various lens options (zoom kit 6deg-36deg for extra brightness, PC lens for ACL type beam)
‚?Ę Beam Shaper
rotating and indexing at 360deg (Patent Pending)
‚?Ę CMY-s color mixing system with new saturation mode (Patent Pending)
‚?Ę 5 colors + open
‚?Ę 1 multicolor effect filter
‚?Ę Proportional CTO filter
‚?Ę 2 prismatic effects: moon flower, beam'o (Patent Pending)
360deg (Patent Pending)
‚?Ę Proportional zoom 5deg - 84deg
‚?Ę Mechanical and electronic stRobe
(zap effect), synchronized, random, pulse effect
‚?Ę Modular design for easy maintenance and servicing
‚?Ę Pan 538deg, Tilt 252deg, 16 bit
‚?Ę Length: 450 mm (17.7 in)
‚?Ę Width: 450 mm (17.7 in)
‚?Ę Height: 750 mm (29.5 in), head straight up
‚?Ę Weight: 45 kg (99.2 lbs)
LAMP AND BALLAST:
‚?Ę Type: Philips
MSR Gold 1200 Fast Fit
‚?Ę Color temperature: 6300 Kelvin
‚?Ę Color rendering index: 80
‚?Ę Average lamp life: 750 hours
‚?Ę Socket: PGJX50
‚?Ę Electronic ballast with Power Factor Correction
‚?Ę Electronically adjustable lamp power (700 W to 1450 W), via DMX
CONTROL PROTOCOL AND PROGRAMMING:
‚?Ę USITT DMX512/1990
‚?Ę DMX channels: 22
‚?Ę Setting and addressing: LCD display or remotely
‚?Ę AC power: 200-208/230/240 V, 50/60 Hz, 2m (6.6 ft) integral Cable
without power plug
‚?Ę Power consumption: 8 A at 230 V
‚?Ę DMX data in/out: 3 pin and 5 pin locking XLR
‚?Ę RJ45 for upload and Remote Control
‚?Ę PC Lens (# 9136)
‚?Ę LD Zoom 5deg - 36deg kit (# 9136/1)
Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries.
COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.
Dimmers and Distro
- Dimmers are devices used to vary the brightness of a light or stage light and are usually controlled remotely by a lighting console or controller by way of a protocol that is usually DMX. A Distro is . Used . a device that distributes power to many devices.. Used . ...Address
- In computer science, a memory address is a unique identifier for a memory location at which a CPU or other device can store a piece of data for later retrieval. In modern byte-addressable computers, e. Used . ach address identifies a single byte of storage; data too large to be stored in a single byte may reside in multiple bytes occupying a sequence of consecutive addresses. Some microprocessors . Used . were designed to be word-addressable, so that the typical storage unit was actually larger than a byte. Examples include the Texas Instruments TMS9900 and the National Semiconductor IMP-16, both of which used ...Pattern
- Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...Gobo
- A gobo is a thin circular plate with holes cut in it to create patterns of projected light. The name may be derived from a contraction of "go between", or from "GOes Before Optics". Another possible . Used . origin is from the early days of Hollywood. When the Director of Photography wanted daylight excluded from some area of the set, he'd say "GO BlackOut". Members of the crew would run around p. Used . utting black material between the sun and the set.
A gobo may be made from thin metal sheet, usually steel, or from etched glass, depending upon the complexity of the design. Glass gobos often incOhm
- A unit of measurement for the electrical resistance equal to that of a conductor in which a current of one ampere is produced by a potential of one volt across its terminals. One ohm is the resistanc. Used . e in a circuit when one volt maintains a current of one amp. The unit, originally ohma or ohmad, was first used by Charles Tilston Bright and Latimer Clark in 1861 and is still in use today.. Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.