• Designed for live events and full-fledged digital post-production
• Compact unit with a 2-BUS, 8-input
Video Switcher, high-performance, multi-functional digital video effects unit and versatile audio mixer.
• 4:2:2:4 digital component picture quality with Dynamic RoundingTM for broadcast-quality video and 16:9 wide and 4:3
Aspect ratio capability
• Creates more than 600 2D effects patterns including transitions, key patterns, mosaic, paint, trail and multi-images
• Optional AG-VE70P 3-D effects board delivers over 1600 effects including page-turns, accordion, spheres and ripples
• An easy-to-operate joystick allows users to position and size effects as well as select and adjust colors.
• Tally outputs for up to eight cameras and 2-channel frame synchronization permitting
Special Effects in each of the A/B program busses
• Large LCD control panel for easy operation and monitoring of system status.
• Five-row
Matrix menu display with five rotary switches makes it easy to set the units multitude of functions
• Inputs including composite, Y/C, component, or Serial Digital (SDI)
• 30-frame graphics buffer for roll, crawl and logo animation; and a USB interface makes it easy to download graphics
• RS-422A and RS-232C
Remote Control terminals standard and a GPI terminal to permit the
AG-MX70 to team with video editing devices
• Versatile audio mixing with four stereo inputs (or embedded audio with the optional SDI interface), plus 2 Auxiliary Inputs, one of which can be switched to a microphone level input
Used Panasonic
Controllers - A hoist or motor controller is a machine for raising and lowering personnel or gear by means of a cable for the purpose of setting the gear in place on a truss or stage.
. Used . . Used . ...
Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.
Fresnels use a spherical reflector, with the filament of the bulb ...
Arc Lamp - An arc lamp is a device that produces light by the sparking (or arcing, from voltaic arc or electric arc) of a high current between two carbon rod electrodes. The rods are touched and then slowly draw. Used . n apart; as the rods separate the current is "struck" and arcs across the gap in a bright, ionized path. The arc produces a temperature of several thousand degrees, and the tips of the carbon. Used . rods are heated to incandescence, creating light. The rods are slowly vaporized during the process and need to be regularly adjusted to maintain the arc. The concept was first demonstrated by Sir Humphry Davy...
XY - A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...
AB - A stereo recording technique. Two microphones of the same make and model are located next to one another in , and point in the same direction. The left mic is panned hard left on the mixer. The right. Used . mic is panned hard right.
This technique has flaws, such as audio reflections from each mic which can cause comb filtering (narrow coverage). This can be somewhat corrected by s. Used . pacing the mics out, but this will not fully correct the problem and can lead to muddy sound from delay artifacts.
Used Video Processors and Mixers
A video processor, sometimes called a vision mixer, is used for professional compositing of video sources or the selection of video sources, in a similar fashion to the way audio streams are mixed and matched with a mixing console.
This video processor technology is normally used in TV studios, video editing bays and production trucks or studios, in the production of TV shows, theatrical shows and concerts. Video processor is actually a term more commonly used in the United States – in Europe and other English speaking countries, the terms video or vision mixer are preferred. The operator of a video processor will generally be called a technical director in all countries however.
The technical director will use the video processor to generate multiple transitions of video sources, such as pattern swipes or dissolves. The video processor can also be used to create color signals (or mattes) and carry out keying operations. As such, most video processors are geared towards professional use, and feature either a Serial Digital Interface (in the case of digital models) or component video connections (in the case of analog models).
A digital video processor is normally used for linear video editing in live TV, in conjunction with video servers and video tape recordings. For other uses, such as video presentations, VJing and small productions involving the use of multiple cameras, an analog video processor is still fairly common.