An extraordinarily bright, silent spotlight with an innovative look, that is equipped with a wide zoom for professional and entertainment settings having more limited budgets.
Exclusive optics
• Exceptionally reliable HMI 575 metal iodide lamp.
• New optical unit with optimal luminous efficiency.
• 15deg - 30deg electronic linear zoom (14.8deg -28.5deg).
• Electronic focusing.
Used Clay Paky
Manufacturer of moving lights, effects, and image projectors.
Converters and Sync - An audio converter is a type of electronic hardware that converts analog audio signals to digital audio format or vice versa. Audio synchronizers arrange the signals, either analog, digital or both, s. Used . o that multiple the signals occur in time. . Used . ...
Fog - A fogger is a device that emits a dense vapor that appears similar to fog or smoke,
usually by the vaporization of a water and glycol based or glycerine based fluid. A hazer or diffusion fogger. Used . is used to produce an atmospheric haze, rather than clouds of smoke, and is used by many lighting designers to reveal airborne light beams, especially lazers. . Used . ...
Communications - Communication gear is essentially used to relay information to different individuals or teams during a show or performance to insure everything, including audio, lighting and staging are timed correct. Used . ly and functioning properly and safely. . Used . ...
Patch Bays - A patch bay is a panel, usually rack mounted, that uses cable connections to allow technicians to quickly change the physical path of a select signal. Generally, shorter patch cables will plug into fr. Used . ont of the panel, while the back will have have much longer connections to more permanent cables and equipment. . Used . ...
Zoom Flash - A flash with the capability of adjusting the width of its beam to accurately fit the angle of the lens being used.. Used . . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.