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Item #20297
Excellent condition. Purchased in 2004.
North America

$880 USD
€694 EUR
More currencies
Priced Per Unit
Normal Wear & Tear
Quantity:
3 Units
Year:
2004
Case:
Dual
Contact a Sales Specialist
+1 (404) 817 9300

3 Day
Warranty
Condition:
Normal Wear & Tear
Quantity:
3 Units
Year:
2004
Case:
Dual
Usage:
Various Rentals
Warranty:
3 Day
Location:
North America
Description & Maintenance
Great working order. All have been checked over by a certified technician.
Included
(1) Studio Color 250
Dual case included with the purchase of two units

What You Need to Know
  1. All purchases must be pre-paid.
  2. No products will ship until all funds are confirmed as cleared.
  3. All check, included cashiers checks, must clear before products will ship.
  4. Availability & Pricing of products are subject to change at any time.
  5. You MUST contact Solaris™ and inspect your equipment immediately upon arrival (48 hours) or your warranty will be void.
  6. To claim a warranty on equipment you must contact Solaris™ immediately and fill out a warranty claim.

Payment Types
    TT & Wire Transfers
  1. TT and wire transfers are the fastest way to purchase and ship your products.
  2. International wire transfers can take up to 3-5 days to clear the bank.

    Cashiers Checks
  1. Cashiers checks must clear the bank before products can ship.

    Company & Personal Checks
  1. Company and personal checks must clear the bank before products can ship.

    Credit Cards
  1. Credit cards can only be used for smaller purchases.
  2. Credit cards require an authorization form, proof of identity and bank confirmation.

    PayPal, Western Union, etc
  1. PayPal, Western Union and other types of payments are not accepted.


Excellent condition. Purchased in 2004.
$862 : €680
Studio Color 250 package. All units are in good working condition. Lamps have 400 hours.
$7,290 : €5.748
Studio Color 250 - Professionally Maintained
Studio Color 250 - Spot 250 with all original Glass
Studio Color 250 - Professionally Maintained
Studio Color 250 - Laser Aiming Device included
Studio Color 250 - Professionally Maintained
Used Studio Color 250 For Sale
Excellent condition. Purchased in 2004.

$880 USD
€694 EUR
More currencies
Quantity:
3
Year:
2004
Normal Wear & Tear

3 Day
Warranty
Studio Color 250 package. All units are in good working condition. Lamps have 400 hours.

$7,436 USD
€5.863 EUR
More currencies
Quantity:
6
Year:
2002
Normal Wear & Tear

2 Day
Warranty
More Used Stage Lighting
Studio Color 250 package. All units are in good working condition. Lamps have 400 hours.
$7,436 : €5.863
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Maintained by High End certified technicians.
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Purchased between 2001 & 2007.
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Few cosmetic scratches and fully functional.
$478 : €377
Includes a flight case and is functioning perfectly.
$8,926 : €7.038

Product Details

Studio Color 250

Power
Rated Voltage: 100-230 VAC
Rated Frequency: 50Hz / 60Hz
Rated Current: 3.75A @ 100V/ 60Hz
1.6A @ 230V/ 50Hz
Voltage/ Freq Select: Manually Selectable
Rated Power: 375W
Data
Protocol: DMX
Channels: 15
Fixtures per Universe: 34
Address Method: LED Display
Connector: 5 Pin / 3 Pin XLR
Lamp
Source: MSD250/2
Color Temp: 6500K
Software Features
Control Functions: Remote Home
Remote Shutdown
Lamp On/Off
Display On/Off/Dim
Disable MSPEED on P/T
Macros: 32 Possible
Shutter Macros
On-board Programming: 16 scenes each user / 32 total
Other: DMX Analyzer

Used High End Systems

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.
Editing Suites - An editing suite is one or more high performance servers used for all kinds of graphics manipulation from picture quality improvements, color correction and format conversion to higher or lower resolu. Used . tions or different aspect ratios. Servers and storage systems as well as computing intensive image processing are at the heart of editing suite applications.. Used . ...

WYSIWYG - Acronym for "What You See Is What You Get," that is used in computing to describe a system where the content during editing appears very similar to the final product. Often employed in the context of . Used . software tools for lighting design and production administration or applied to TTL (through the lens) camera systems where the viewfinders have 100% film frame coverage. WYSIWYG lighting sof. Used . tware usually has fantastic 3D rendering of lighting states and direct connections to lighting consoles, enabling accurate visualisation of lighting designs. WYSIWYGs significantly increase the connection b...

Amphitheatre - The name amphitheatre (alternatively amphitheater) is given to a public building of the Classical period (being particularly associated with ancient Rome) which was used for spectator sports, games an. Used . d displays.

Apart from function, the important outward distinction between an amphitheatre and a theatre is that an amphitheatre is round or oval in shape (whereas a classical th. Used . eatre was semi-circular). However, an amphitheatre differs from a circus, which was used for racing and looked more like a very long, narrow horse shoe.

The best-known amphitheatre in the world is...

Fog - A fogger is a device that emits a dense vapor that appears similar to fog or smoke,
usually by the vaporization of a water and glycol based or glycerine based fluid. A hazer or diffusion fogger. Used . is used to produce an atmospheric haze, rather than clouds of smoke, and is used by many lighting designers to reveal airborne light beams, especially lazers. . Used . ...

Processor Units - A processor unit is an individual piece of equipment, usually a computer, used to process editing infomation.. Used . . Used . ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.
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