Lighting Design has no limits with the
MAC 500. The
MAC 500 is a reliable and award-winning
Profile Spot luminaire, which projects a bright beam with a razor-sharp hard-edge.
Used Martin
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.
. Used . . Used . ...
Lighting Desk - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.
All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.
Consoles communicate wit...
Angstrom - An angstrom, angström, or ångström (symbol Å) is a unit of length. It is not an SI unit. It is accepted (although discouraged) for use with the SI. It is used sometimes used expressing the size of ato. Used . ms, and lengths of chemical bonds and visible-light spectra.
The ångström is named after the Swedish physicist Anders Jonas Ångström (1814–1874), one of the founders of spectrosc. Used . opy. Besides astrophysics, Ångström was also a student of heat transfer, terrestrial magnetism, and the aurora borealis, which was so prominent for him in his northern skies. He created a spectrum chart of sol...
Achromatic - A lens arrangement designed to decrease chromatic aberration, for example: to set the same focal length for red and blue light at the focal plane. Also, a color having no chroma as in black, white and. Used . grays created by mixing black and white instead of other colors that are made of chromatic pigments.. Used . ...
Stepper Motor - A stepper motor is a type of electric motor that is used when something has to be positioned very precisely or rotated by an exact angle.
In a stepper motor, an internal rotor containing. Used . permanent magnets is controlled by a set of stationary electromagnets that are switched electronically. Hence, it is a cross between a DC electric motor and a solenoid. Stepper motors do not. Used . use brushes and commutators.
Stepper motors have a fixed number of magnetic poles that determine the number of steps per revolution. Most common stepper motors have 200 full steps/revolution, mea
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.