The
MAC 2000 Profile set the industry standard in moving head lights in the early to mid 2000's and continued to remain steady as a staple automated light for all sectors of the event lighting industry.
The first in the MAC 2000 series, the
MAC 2000 Profile is a high performance lighting tool for touring, theater and special event applications. Based on input from some of the world's top lighting professionals, the MAC 2000 Series delivers an exceptional combination of extreme power and new projection possibilities.
Used Martin
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Screens - Highly reflective screen used for projectors to provide a better, clearer surface or an image to be projected on to.. Used . . Used . ...
WYSIWYG - Acronym for "What You See Is What You Get," that is used in computing to describe a system where the content during editing appears very similar to the final product. Often employed in the context of . Used . software tools for lighting design and production administration or applied to TTL (through the lens) camera systems where the viewfinders have 100% film frame coverage. WYSIWYG lighting sof. Used . tware usually has fantastic 3D rendering of lighting states and direct connections to lighting consoles, enabling accurate visualisation of lighting designs. WYSIWYGs significantly increase the connection b...
Cameras - A video camera is a camera that takes continuous pictures and generates a signal for display or recording. It captures images by breaking them down into a series of electromagnetic lines.. Used . . Used . ...
EQ - Equalization, or EQ, applies to any hardware or outboard effect used for the process of changing, increasing or decreasing the level or volume of a certain frequency in a sound to bring that frequenci. Used . es volume in line with the other sounds. It is used in live events and audio recording in film, music, TV and radio. . Used . ...
Amplitude - Amplitude is a nonnegative scalar measure of a wave's magnitude of oscillation, that is, magnitude of the maximum disturbance in the medium during one wave cycle.
Sometimes this distance . Used . is called the "peak amplitude", distinguishing it from another concept of amplitude, used especially in electrical engineering: the root mean square (RMS) amplitude, defined as the square roo. Used . t of the temporal mean of the square of the vertical distance of this graph from the horizontal axis. The use of peak amplitude is unambiguous for symmetric, periodic waves, like a sine wave, a square wave, or...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.