Used MAC 500 Profile

MAC 500 - Very Clean Unit
MAC 500 Profile - Good Condition
MAC 500 Profile - 575 watt Profiles
MAC 500 Profile - Package of (12) Units-See Decription
MAC 500 Profile - Units from one owner in very good shape
MAC 500 - Strictly & Professional Maintained
MAC 500 Profile - Great Condition!
MAC 500 Profile - Good Condition-RECENTLY REDUCED!
MAC 500 Profile - Good Condition, with (60)-Day Warranty!
MAC 500 Profile - These MAC 500 Profiles have Been Used for Cor...
MAC 500 - Very Clean Unit

MAC 500 Profile

Lighting Design has no limits with the MAC 500. The MAC 500 is a reliable and award-winning Profile Spot luminaire, which projects a bright beam with a razor-sharp hard-edge.

Used Martin

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Aberration - A flaw in a Lens that causes distorted images, especially towards the edge of the lens field. Compound lens construction and the use of small apertures can reducethese flaws. There are many types of a. Used . berrations, including chromatic, spherical, curvature of field, distortion, and elemental.. Used . ...

Stages - A stage is a designated space for the performance of theatrical productions or other live events. Some stages are permanent structures in theaters, but often stages are temporary structures built for . Used . outdoor events and can range is size from small 20 to 30 square foot structures to very large arena sized stages assembled from many components.. Used . ...

Wing - A breakout box or extension console that expands the current consoles capabilities by adding additional tactile faders and controls. Generally applied to lighting control consoles and adapted from a . Used . theater term used to describe the sides of the stage not visible to the audience where the actors make their entrances. . Used . ...

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Intelligent Lighting - Intelligent lighting is stage lighting that has automated or mechanical functions beyond traditional, stationary illumination. While intelligent lights can at times display complicated effects and fun. Used . ctions, they are only capable of performing the task set up by the programmer and are therefore sometimes referred to as obedient lighting. Intelligent lights come in many forms, but commonly. Used . are yoked moving heads or scanners and are usually controlled by DMX signals from lighting controllers or consoles. ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.