Studio Beam features intense light output with full color mixing and sophisticated beam control. This fixture is ideal for creating soft-edge key and
Long-Throw highlighting as well as intense aerial effects. We've equipped the Studio Beam with an electronic st
Robe, an industry first for automated wash lights. Extreme high-output color mixing coupled with a large zoom range and beam-shaping functionality has earned Studio Beam a distinctive niche in lighting design.
Used High End Systems
From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries.
At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces.
Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology.
We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field.
This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve.
As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.
Other Effect - Any audio effect not otherwise defined or described.. Used . . Used . ...
Pre-Amp - A preamp amplifies a low level signal to normal line level before it is processed further and amplified further. It is generally used to give a boost to signals coming from Mics, Turntables and other . Used . audio equipment that has no amperage to the signal it produces.
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Monitor - Monitor can refer to a speaker used on stage, usually in the shape of a wedge, to enable musicians to hear each other or a studio monitor that is designed for audio production in recording, film, tele. Used . vision and radio studios.. Used . ...
Lighting Control Console - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. . Used . Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices. Consoles communicate with the dimmers and other de...
Video - Video is the technology of electromagnetically recording, processing, transmitting, and reconstructing a sequence of images that represent scenes in motion.
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Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.