The
MAC 2000 Wash is a 1200 Watt moving head wash light that provides CMY color mixing, color correction (CTC), two color wheels (each with four removable colors), a combined dimmer/shutter. 540deg of pan, and 267deg of tilt. It has a
Fresnel lens fitted as standard, and is also supplied with a PC lens and a super-wide-angle lens. Motorized zoom provides beam angle ranges of 11deg through to 40deg (
Fresnel), 12deg through to 34deg (PC lens), or 66deg through to 80deg (super-wide-angle lens). It is fitted with an electronic ballast for flicker-free operation and an economic power-saving mode. It also has a switch mode
Power Supply allowing it to
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Xenon Lamp - A type of discharge lamp with high output generally used in Strobe lights and flashes, though sometimes found in some followspots. These lamps utilize an internal electrical discharge passed between . Used . electrodes suspended in xenon gas. Xenon lamps have a color temperature of between 5600 - 6500°K and produce extremely intense, incoherent, full-spectrum white light usually for very short d. Used . urations. ...
Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...
Preset Boards - Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.
Generally, a preset board operator has a cue sheet for each s...
Limelight - An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...
Box - A box truss is square in shape like a box in cross section and is useful for touring as gear can be hung inside the truss which protects it when loading and takes up less space in the truck.. Used . . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.