Used Studio Beam

Studio Beam - Corporate Rental Units
Studio Beam PC - These Studio Beams have the optional zoom foc
Studio Beam - 700 Watt Wash. Highly Rated Wash Light
Studio Beam - Corporate Use Only
Studio Beam - Studio Beam PC
Studio Beam PC - Excellent Condition inside and out. From 2000
Studio Beam - Sold as pairs. Roughly 3300 - 3700 hours of u...

Studio Beam

Studio Beam features intense light output with full color mixing and sophisticated beam control. This fixture is ideal for creating soft-edge key and Long-Throw highlighting as well as intense aerial effects. We've equipped the Studio Beam with an electronic stRobe, an industry first for automated wash lights. Extreme high-output color mixing coupled with a large zoom range and beam-shaping functionality has earned Studio Beam a distinctive niche in lighting design.

Used High End Systems

From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.

Other Effect - Any audio effect not otherwise defined or described.. Used . . Used . ...

1000 - 5000 Lumens - A projector that produces 1000 - 5000 lumens of light.. Used . . Used . ...

Delay - Delay is an audio effect which records a signal or sound and then plays it back after a period of time. The delayed signal may be played back multiple times or looped back into the recording again to . Used . create the sound of a repeating decaying echo. Unlike reverb, which uses reflected sound to produce many echos, delay has greater control over the number of times the sound is echoed. . Used . ...

Screens - Highly reflective screen used for projectors to provide a better, clearer surface or an image to be projected on to.. Used . . Used . ...

Color - Color temperature is measured in kelvins, and gel colors are organized by several different systems maintained by the color manufacturing companies. The apparent color of a light is determined largel. Used . y by the gel color given it, but also in part by the power level the lamp is being run at and the color of material is it to light. As the percentage of full power a lamp is being run at drop. Used . s, the tungsten filament in the bulb glows orange instead of more nearly white. This is known as amber drift or amber shift. Thus a 1000-watt instrument at 50% will appear far more orange than a 500-watt instr

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.